1609 1664 Collection

The Oath of Abrahams Servant, c. 1650-1659. Creator: Giovanni Benedetto Castiglione
The Oath of Abrahams Servant, c. 1650-1659. This work has long been called Journey of a Patriarch in the belief that the artist intended no specific subject

Tobit Burying the Dead, 1640s. Creator: Giovanni Benedetto Castiglione (Italian, 1609-1664)
Tobit Burying the Dead, 1640s

The Large Heads of Men in Oriental Headdress: A Man Nearly in Profile and Turned to Left

The Genius of Castiglione, 1648. Creator: Giovanni Benedetto Castiglione (Italian, 1609-1664)
The Genius of Castiglione, 1648

Noah and the Animals Entering the Ark, 1650-1655. Creator: Giovanni Benedetto Castiglione (Italian)
Noah and the Animals Entering the Ark, 1650-1655

LInvention des corps de S. Pierre et S. Paul, c. 1650. Creator: Giovanni Benedetto Castiglione
LInvention des corps de S. Pierre et S. Paul, c. 1650

Head of a Man in Oriental Turban, c. 1650. Creator: Giovanni Benedetto Castiglione (Italian)
Head of a Man in Oriental Turban, c. 1650

Fete of Pan, 1648. Creator: Giovanni Benedetto Castiglione (Italian, 1609-1664)
Fete of Pan, 1648

Laban Searching for Idols in Rachels Baggage, c. 1635. Creator: Giovanni Benedetto Castiglione
Laban Searching for Idols in Rachels Baggage, c. 1635

La Melancolie, c. 1660-1665. Creator: Giovanni Benedetto Castiglione (Italian, 1609-1664)
La Melancolie, c. 1660-1665

Bacchanal Before a Herm, early 1660s. Creator: Giovanni Benedetto Castiglione (Italian, 1609-1664)
Bacchanal Before a Herm, early 1660s

Lib IV Tabula VII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XXXVI Adriani Spigelii Bruxellensis
Lib. IV, Tabula XXXVI, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib V Tabula I Adriani Spigelii Bruxellensis
Lib. V, Tabula I, Lib. V, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626

Lib VIII Tabula VII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula VII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gapare

Lib IV Tabula VIII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VIII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVI Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVI, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XIX Adriani Spigelii Bruxellensis
Lib. IV, Tabula XIX, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Tabula IV Lib IV. Tab VI. IV Adriani Spigelii
Tabula IV, Lib. IV. Tab. VI. Tabula IV, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia

Lib IX. Tabula I IX Adriani Spigelii Bruxellensis
Lib. IX. Tabula I, Lib. IX. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II. Tabula VII II Adriani Spigelii Bruxellensis
Lib. II. Tabula VII, Lib. II. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula V IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula V, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula III Adriani Spigelii Bruxellensis
Lib. IV, Tabula III, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula IV Adriani Spigelii Bruxellensis
Lib. IV, Tabula IV, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula XVII IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula XVII, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II Tabula VIII Adriani Spigelii Bruxellensis
Lib. II, Tabula VIII, Lib. II, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Tobit Burying Dead 1640s Giovanni Benedetto Castiglione
Tobit Burying the Dead, 1640s. Giovanni Benedetto Castiglione (Italian, 1609-1664). Oil and dark red pigment with oil and brown pigment; framing lines in gold paint over oil

Resurrection Lazarus Giovanni Benedetto Castiglione
The Resurrection of Lazarus. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching

L Invention des corps des Pierre ets Paul 1650
L Invention des corps de S. Pierre et S. Paul, c. 1650. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching

Fete Pan 1648 Giovanni Benedetto Castiglione
Fete of Pan, 1648. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching

Male Head Etching plate 4 1 / 4 x 3 1 / 8 10. 8 8 cm
Artokoloro

Young Hunter Dogs Landscape 1641-1710 Pen brown ink
Artokoloro

satyr reclining foot staute Priapus goats right
Artokoloro

Entry animals Noah ark three men follow quadrupeds
Artokoloro

Pan reclining left two standing satyrs large vase
Artokoloro

Congress Animals 1641-1710 Pen brown ink brush
Artokoloro

Male Head Etching plate 4 5 / 16 x 3 1 / 8 11 8 cm
Artokoloro

Discovery True Cross 1581-1644 Pen brown ink
Artokoloro

Adoration Shepherds 1764 Etching aquatint printed
Artokoloro

Virgin Child God father upper right angels left
Artokoloro

Bust Beardless Old Man Profile Facing Right ca
Artokoloro

bearded man wearing cap looking down right series
Artokoloro

Sacrifice Noah 1765 Etching Sheet 10 3 / 4 16 1 / 4
Artokoloro

Young Man Facing Three Quaters Right Wearing
Artokoloro

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Giovanni Benedetto Castiglione, an Italian artist born in 1609 and passed away in 1664, left behind a remarkable collection of artworks that continue to captivate viewers even today. His talent for capturing emotion and storytelling is evident in pieces such as "The Oath of Abraham's Servant" and "Tobit Burying the Dead. " In these works, Castiglione skillfully portrays scenes from biblical narratives with intricate details and expressive figures. One cannot help but be drawn to his masterpiece titled "Noah and the Animals Entering the Ark, " which showcases his ability to bring animals to life on canvas. The meticulous attention given to each creature displays Castiglione's dedication to realism while maintaining a sense of wonderment. "The Genius of Castiglione" reveals another facet of the artist's creativity as he explores self-portraiture through allegory. This work not only showcases his technical skills but also provides insight into his own artistic identity. Castiglione's fascination with Oriental culture is evident in pieces like "Head of a Man in Oriental Turban" and "The Large Heads of Men in Oriental Headdress: A Man Nearly in Profile and Turned Left. " These paintings demonstrate his ability to capture cultural diversity through portraiture, showcasing different ethnicities with respect and admiration. In addition to religious themes, Castiglione delved into mythology with works like "Fete of Pan" and "Bacchanal Before a Herm. " These lively compositions depict mythical creatures engaging in joyous celebrations, highlighting the artist's versatility across various genres. However, it was not just grand narratives that intrigued him; smaller moments were equally important. For instance, "Laban Searching for Idols in Rachel's Baggage" captures a quiet scene filled with tension as Laban searches for hidden idols among Rachel's belongings. This painting demonstrates how Castiglione could infuse even the most mundane moments with drama and intensity.