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Indian girl Signed and dated, upper left: G Morland | 1793, George Morland

Indian girl Signed and dated, upper left: G Morland | 1793, George Morland


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Liszt Collection

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Indian girl Signed and dated, upper left: G Morland | 1793, George Morland

Indian girl Signed and dated, upper left: " G Morland | 1793", George Morland, 1763-1804, British

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12649007

© Quint Lox Limited

1763 1793 1804 Dated Female Genre George George Morland Girl Indian Morland Oil On Canvas Orientalism Selected Signed Stuart Subject Upper Cary Welch


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EDITORS COMMENTS
The captivating print titled "Indian Girl" by George Morland takes us back to the enchanting world of 18th-century British art. Painted in 1793, this oil on canvas masterpiece showcases Morland's exceptional talent for capturing genre scenes with remarkable detail and emotion. In this particular work, Morland transports us to India through his portrayal of a young Indian girl. The subject exudes an air of mystery and grace as she gazes into the distance, her eyes filled with untold stories. Through the use of warm colors and delicate brushstrokes, Morland brings out the beauty and complexity of Indian culture. This painting is a prime example of orientalism in British art during that era. It reflects the fascination that English artists had with exotic lands and cultures, often romanticizing them in their works. Stuart Cary Welch's selection of this piece for inclusion in the Liszt Collection speaks volumes about its artistic merit. The signature and date located on the upper left corner authenticate this artwork as an original creation by George Morland himself. Known for his ability to capture human emotions flawlessly, Morland has left an indelible mark on art history through his body of work. As we admire "Indian Girl" we are reminded not only of George Morland's brilliance but also how art can transport us across time and space, allowing us glimpses into different worlds and cultures.

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