George Morland Collection

Two Horses in the Snow
Artist: Morland, George - Title: Two Horses in the Snow - Date: N/A - Original Medium and Size: Oil on Wood 17.8 x 23.5

The Wreckers
Artist: Morland, George - Title: The Wreckers - Date: c.1790 - Original Medium and Size: Oil on Canvas 50.8 x 68.6

Wonderful Miss Atkinson, Pig - faced woman
2603721 Wonderful Miss Atkinson, Pig - faced woman; (add.info.: The Wonderful Miss Atkinson, the pig - faced woman. Born in Ireland, she had a fortune of £20, 000)

Anne Ward Morland (Delia in Town), c. 1788. Creator: John Raphael Smith
Anne Ward Morland (Delia in Town), c. 1788

The First of September, Morning, published 1796. Creator: William Ward
The First of September, Morning, published 1796

The First of September, Evening, published 1796. Creator: William Ward
The First of September, Evening, published 1796

The First of September, Morning, published 1794. Creator: William Ward
The First of September, Morning, published 1794

The First of September, Evening, published 1794. Creator: William Ward
The First of September, Evening, published 1794

Inside of a Country Alehouse, published March 1, 1797. Creator: William Ward
Inside of a Country Alehouse, published March 1, 1797

"Sheep", by Morland, in the International Exhibition, 1862. Creator: W Thomas
"Sheep", by Morland, in the International Exhibition, 1862. There is no painter of the English school, with the exception of Gainsborough

The Reckoning, c1783-1804, (1912). Artist: George Morland
The Reckoning, c1783-1804, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Delia in the Country, 1788, (1902). Artist: John Raphael Smith
Delia in the Country, 1788. After George Morland (1763-1804). From The Connoisseur Vol. IV [Otto Limited, London, 1902.]

The Death of the Fox (oil on canvas)
7088652 The Death of the Fox (oil on canvas) by Morland, George (1763-1804); Private Collection

Weymouth Bay with a Distant View of the Harbour and Portland Bill, 1788 (oil on canvas)
6431697 Weymouth Bay with a Distant View of the Harbour and Portland Bill, 1788 (oil on canvas) by Morland, George (1763-1804); Private Collection

Faggot Gatherers (oil)
7076682 Faggot Gatherers (oil) by Morland, George (1763-1804); Private Collection; (add.info.: Morland, George (1763-1804))

Trepanning a Recruit, c. 1790. Creator: George Morland

Landscape with Figures Crossing a Bridge, 1790 / 1800. Creators: John Rathbone
Landscape with Figures Crossing a Bridge, 1790/1800

Landscape with Fisherman and Washerwoman, 1790 / 1800. Creators: John Rathbone
Landscape with Fisherman and Washerwoman, 1790/1800

George Morland, the celebrated painter (engraving)
609479 George Morland, the celebrated painter (engraving) by English School, (19th century); Private Collection; (add.info.: George Morland)

George Morland (engraving)
1602982 George Morland (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: George Morland. Illustration for The Illustrated London News, 28 March 1891)

The Plough Kensal Green
View of The Plough Inn in 1820. In the 1780s the Plough was a haunt of the artist George Morland. Date: 1875

Connoisseurs examining a collection of George Morland s, published by Hannah humphrey
1218696 Connoisseurs examining a collection of George Morland s, published by Hannah humphrey, 1807 (hand-coloured etching) by Gillray

Boys Bathing, (oil on canvas)
824172 Boys Bathing, (oil on canvas) by Morland, George (1763-1804); 71.1x91.4 cm; Private Collection; (add.info.: Boys Bathing. George Morland (1763-1804). Oil on canvas

Portrait of George Morland (engraving)
606249 Portrait of George Morland (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait of George Morland, British artist, holding a glass)

Connoisseurs Examining a Collection of George Morland s, 1807 (engraving)
2562208 Connoisseurs Examining a Collection of George Morland s, 1807 (engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George Morland (26 June 1763 - 29 October 1804)

George Morland, the Celebrated Painter, died 29 October 1804 (engraving)
1108414 George Morland, the Celebrated Painter, died 29 October 1804 (engraving) by English School, (19th century); Private Collection; (add.info.: George Morland, the Celebrated Painter)

Shooting Sea Fowl, 1795. Creator: George Morland
Shooting Sea Fowl, 1795

Pigs, late 18th century. Creator: George Morland
Pigs, late 18th century

Dancing Dogs, 1790. Creator: Thomas Gaugain
Dancing Dogs, 1790

A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson
A Brace of Blackguards, June 20, 1789

The Bell Inn, late 1780s. Creator: George Morland
The Bell Inn, late 1780s

George Morland - The celebrated Painter, 1821. Creator: R Page
George Morland - The celebrated Painter, 1821. Portrait of British artist George Morland (1763-1804). From " Wonderful Characters

Guinea Pigs, c1789, (1930). Creator: George Morland
Guinea Pigs, c1789, (1930). Children play with guinea pigs watched by their mother. The kneeling man with a basket is possibly an itinerant seller

Trepanning A Recruit, c1791, (1930). Creator: George Keating
Trepanning A Recruit, c1791, (1930). A group of people outside a building with a sign reading Cumberland House D. Irwin from Carlisle

Skating, 1792. Artist: George Morland
Skating, 1792. A skating scene with children and a dog on a frozen pond

The Inside of a Stable, 1791, (c1915). Artist: George Morland
The Inside of a Stable, 1791, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Full Cry - And A Fall, c1790, (1922). Artist: George Morland
Full Cry - And A Fall, c1790, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Children Birdnesting, 1789, (1912). Artist: George Morland
Children Birdnesting, 1789, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Deserter Pardon d, 1791 (1909). Artist: George Keating
Deserter Pardon d, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Deserter Taking Leave of his Wife, 1791 (1909). Artist: George Keating
Deserter Taking Leave of his Wife, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Trepanning a Recruit, 1791 (1909). Artist: George Keating
Trepanning a Recruit, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Recruit Deserted, 1791 (1909). Artist: George Keating
Recruit Deserted, 1791 (1909). After George Morland (1763-1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

The Billited Soldiers Departure, c1786-1813, (1909). Artist: George Graham
The Billited Soldiers Departure, c1786-1813, (1909). After George Morland (1763 -1804). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Horses in a Stable, 1791. Artist: George Morland
Horses in a Stable, 1791. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume LXXXII. [The Connoisseur Ltd. London, 1928]

The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

A Hillside with Tramps reposing, c1793. Artist: George Morland
A Hillside with Tramps reposing, c1793. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

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George Morland was a renowned artist known for his exceptional talent in capturing the beauty of nature and everyday life. His works, such as "Two Horses in the Snow" and "The Wreckers, " showcase his ability to depict scenes with incredible detail and emotion. In "Delia in the Country, 1788, " we see Morland's mastery of portraiture as he captures the innocence and serenity of rural life. This piece, engraved by John Raphael Smith, beautifully portrays Delia amidst a picturesque countryside backdrop. "The Reckoning, " created between 1783-1804 by Morland himself, is a powerful depiction of justice being served. The intensity in this artwork reflects Morland's skillful use of light and shadow to convey dramatic narratives. One of Morland's most famous hand-colored mezzotints is "St. Preux and Eloisa, " dating back to around 1790. This romantic scene showcases his ability to evoke emotions through delicate brushstrokes and vibrant colors. Morland's versatility shines through in pieces like "The Death of the Fox. " Here, he demonstrates his proficiency with oil on canvas technique while depicting an intense hunting scene filled with action and suspense. "Weymouth Bay with a Distant View of the Harbour and Portland Bill" transports viewers to a serene coastal landscape painted by Morland in 1788. The tranquility captured here reveals his deep appreciation for nature's beauty. In "Faggot Gatherers, " Morland showcases his keen observation skills by portraying laborious work against a rustic background. Through careful brushwork, he brings life to these hardworking individuals gathering firewood. Another intriguing artwork attributed to him is "Trepanning a Recruit" from around 1790 which depicts medical procedures during that era - showcasing not only artistic talent but also historical significance.