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Egypt Nubia Volume I Two Colossal Statues Rameses II

Egypt Nubia Volume I Two Colossal Statues Rameses II


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Egypt Nubia Volume I Two Colossal Statues Rameses II

Egypt and Nubia, Volume I: One of Two Colossal Statues of Rameses II. Entrance to the Temple of Luxor, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 38.2 x 40.7 cm (15 1/16 x 16 in.); image: 29.8 x 25.3 cm (11 3/4 x 9 15/16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18465612

© Liszt Collection

1796 1864 1806 1885 1847 20 Threadneedle Street Color Lithograph David Roberts Entrance Fgmoon Louis Haghe Luxor Nubia Temple Volume I Rameses Ii


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Luxor

> Arts > Artists > H > Louis Haghe

> Arts > Artists > R > David Roberts


EDITORS COMMENTS
This print showcases the grandeur of ancient Egypt and Nubia, specifically highlighting two colossal statues of Rameses II. The image takes us back to 1847 when Louis Haghe, a British artist, beautifully captured the entrance to the Temple of Luxor. With meticulous attention to detail, Haghe's color lithograph brings these majestic statues to life. Standing tall at 38.2 x 40.7 cm (15 1/16 x 16 in. ), this print transports us into a world where monumental architecture and artistic mastery collide. The sheer size and intricate craftsmanship of these statues leave viewers in awe as they contemplate the skill and dedication required by ancient Egyptian artisans. The collaboration between Louis Haghe and David Roberts, another esteemed British artist from that era, resulted in an artwork that not only preserves history but also evokes a sense of wonderment within us. As we gaze upon this lithograph, we can almost feel ourselves stepping through time into the sacred grounds of Luxor. Displayed against a backdrop of London's Threadneedle Street at F. G. Moon's studio, this print serves as a testament to humanity's fascination with cultural heritage across borders. It is more than just an exquisite piece; it is an invitation for exploration and appreciation for the rich tapestry woven by civilizations long gone.

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