Chinese Pavilion Pheasant Ground Plans elevations
Wall Art and Photo Gifts from Liszt Collection
Chinese Pavilion Pheasant Ground Plans elevations
Chinese Pavilion in the Pheasant Ground, Plans, elevations, sections, and perspective views of the gardens and buildings at Kew, in Surry, Chambers, William Sir, 1723-1796, Haberkorn, J. Engraving, 1763, The, plate 11, is inscribed at the lower left, Wm. Chambers architectus. and inscribed at the lower right, E. Rooker sculp
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18508096
© Liszt Collection
1723 1796 1763 Chambers Elevations Gardens Inscribed Lower Left Lower Right Perspective Views Plans Plate 11 Sections Chinese Pavilion Surry
EDITORS COMMENTS
This print showcases the intricate and detailed plans, elevations, sections, and perspective views of the Chinese Pavilion in the Pheasant Ground at Kew Gardens in Surrey. Created by renowned architect William Chambers and skillfully engraved by J. Haberkorn, this engraving from 1763 is a true masterpiece. The image captures the essence of Chinese architectural design with its graceful curves, ornate decorations, and delicate pagoda roofs. The pavilion stands as a testament to the fusion of Eastern and Western influences that were prevalent during this period. Every aspect of the gardens and buildings is meticulously depicted in this print. From carefully planned pathways to serene ponds adorned with lotus flowers, it transports viewers into a world of tranquility and beauty. The inscription on the lower left corner proudly states "Wm. Chambers architectus" acknowledging Chambers' remarkable talent as an architect. On the lower right corner, E. Rooker's name appears as "sculp" indicating his role as an engraver who brought these designs to life through his artistic skills. This print not only serves as a visual delight but also offers valuable insights into historical architecture and landscape design practices at Kew Gardens during that era. It is truly a treasure for art enthusiasts, historians, or anyone captivated by the timeless allure of Chinese-inspired aesthetics.
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