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Allegory Abdication Emperor Charles V Brussels Allegory
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Allegory Abdication Emperor Charles V Brussels Allegory
Allegory on the Abdication of Emperor Charles V in Brussels Allegory on the Abdication of Emperor Charles V in Brussels, 25 October 1555, Allegory on the abdication of Emperor Charles V in Brussels, 25 October 1555. In the middle Charles V sits on his throne at the top, Ferdinand I on the left, Philip II, King of Spain, on the right. For Philip, the personifications of the territories of the empire kneel with banners. In the foreground, personifications from the continents of America, Africa, Europe and Asia bring gifts. On the left Neptune on his triumphal cart pulled by sea horses, with mermaids and mermaids, tritons etc. On the cart a globe and the two columns with a banderole with the inscription Plus Ultra, continents represented allegorically, abdication (or a ruler), triumph or Neptune, Brussels, Charles V of Habsburg (German Emperor and King of Spain), Ferdinand I of Habsburg (German Emperor), Philip II (King of Spain), Frans Francken (II), c. 1630 - c. 1640, oil paint (paint), panel, painting, h 134 cm × w 172 cm
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Media ID 19551503
© Artokoloro
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EDITORS COMMENTS
This print captures the grandeur and symbolism of the historic event - the Abdication of Emperor Charles V in Brussels on 25 October 1555. At the center of attention sits Charles V himself, seated on his majestic throne, flanked by Ferdinand I on his left and Philip II, King of Spain, on his right. The personifications of various territories within the empire kneel before Philip II with their banners, signifying their allegiance. In the foreground, we witness a fascinating display as personifications from different continents - America, Africa, Europe, and Asia - present gifts to honor this momentous occasion. Meanwhile, Neptune makes an impressive entrance riding triumphantly in his cart pulled by sea horses. Accompanied by mermaids and tritons amidst a sea of splendorous waves. The artist skillfully incorporates symbolic elements such as a globe and two columns bearing the inscription "Plus Ultra" representing exploration beyond known boundaries. This allegorical representation beautifully encapsulates themes of abdication or rulership while celebrating triumphs and Neptune's association with water bodies. Painted by Frans Francken (II) between c. 1630-1640 using oil paint on panel canvas measuring 134 cm in height and 172 cm in width; this masterpiece is truly remarkable for its intricate details that transport us back to this significant historical event.
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