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actresses Joanna Cornelia Ziesenis-Wattier 1762-1827
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actresses Joanna Cornelia Ziesenis-Wattier 1762-1827
The actresses Joanna Cornelia Ziesenis-Wattier (1762-1827) and Geertruida Jacoba Grevelink-Hilverdink (1786-1827) in Iphigenia (1674) by Jean Racine (1639-99), Portraits of actresses Joanna Cornelia Ziesenis-Wattier and Geertruida Jacoba Grevelink-Hilverdink in Greek clothing in the play Iphigenia by Jean Racine. Standing, almost full-length, with some other figures left and right. Louis Moritz, 1800 - 1813, canvas, oil paint (paint), h 158.8 cm × w 120.7 cm × t 4.9 cm d 10.2 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19553951
© Artokoloro
1674 1800 1813 Iphigenia Louis Moritz Portraits Jean Racine Oil Paint
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This print showcases the talented actresses Joanna Cornelia Ziesenis-Wattier and Geertruida Jacoba Grevelink-Hilverdink in their roles as Iphigenia and other characters from Jean Racine's renowned play, "Iphigenia". The image captures the essence of Greek culture and fashion, as both actresses are dressed in exquisite Greek clothing. Standing almost full-length, they exude grace and elegance, embodying the characters they portray on stage. The portrait is a testament to Louis Moritz's artistic prowess, with his masterful use of canvas and oil paint bringing these remarkable women to life. The attention to detail is evident in every brushstroke, capturing their facial expressions and body language with precision. Surrounded by other figures on either side, this composition transports us back to a time when theater was at its zenith. It allows us to imagine ourselves witnessing these talented performers bring Racine's timeless words to life on stage. Joanna Cornelia Ziesenis-Wattier (1762-1827) and Geertruida Jacoba Grevelink-Hilverdink (1786-1827) were undoubtedly celebrated for their acting skills during their time. This print serves as a tribute to their talent and contribution to the world of theater. As part of the Liszt Collection, this artwork preserves an important moment in theatrical history for generations to come. Its significance goes beyond commercial value; it stands as a reminder of the artistry that
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