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Jigsaw Puzzle : Cartoon, End of the Irish Farce of Catholic Emancipation

Cartoon, End of the Irish Farce of Catholic Emancipation



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Cartoon, End of the Irish Farce of Catholic Emancipation

Cartoon, End of the Irish Farce of Catholic Emancipation, by James Gillray. Showing a scene outside Heaven, with St Peter at the gate of Popish Supremacy and a crowd of Catholic priests and clergy, some of them politicians in costume such as Fox, Buckingham and Grenville, blown back by shadowy British politicians in profile (left). With a parodic verse in the style of Milton below. Date: 1806

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Media ID 14230275

© The Sharp Illustration Collection / Mary Evans Picture Library

1800s 1806 Blowing Blown Buckingham Bull Clergy Comment Criticism Emancipation Farce Gillray Grenville Harsh Heaven Intolerance Milton Papal Parody Patrick Peter Petition Politicians Popish Priests Satire Satirical Shadowy Supremacy Tolerance Verse


Jigsaw Puzzle (500 Pieces)

Introducing the captivating and historically significant Media Storehouse Jigsaw Puzzle collection, featuring the iconic "Cartoon, End of the Irish Farce of Catholic Emancipation" by James Gillray. This intriguing puzzle brings to life a unique moment in history, as depicted in this 18th-century cartoon from Mary Evans Prints Online. Immerse yourself in the wit and satire of this iconic political commentary as you piece together the vibrant and intricate illustration. Set against the backdrop of the religious and political tensions of the time, this captivating puzzle showcases a scene outside Heaven's gate, with St Peter overseeing a crowd of Catholic priests and clergy eager for entry. This Media Storehouse Jigsaw Puzzle is not just a fun and engaging activity, but an opportunity to explore the rich historical context of this fascinating era. With each completed piece, you'll uncover the stories and nuances of this iconic cartoon, making for a truly rewarding puzzle-solving experience. Join us in the pursuit of knowledge and entertainment with the Media Storehouse Jigsaw Puzzle collection, and let the "Cartoon, End of the Irish Farce of Catholic Emancipation" by James Gillray be your guide.

500 piece puzzles are custom made in the UK and hand-finished on 100% recycled 1.5 mm millboard. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 38x50cm and is delivered packaged in an attractive presentation box specially designed to fit most letter box slots

Jigsaw Puzzles are an ideal gift for any occasion

Estimated Product Size is 50.2cm x 38cm (19.8" x 15")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
James Gillray's bitterly satirical print, "End of the Irish Farce of Catholic Emancipation," offers a scathing commentary on the ongoing debate over Catholic Emancipation in Ireland during the early 19th century. The scene unfolds outside the gates of Heaven, where St. Peter stands firm, barring entry to a crowd of Catholic priests and clergy, as well as politicians such as Fox, Buckingham, and Grenville, dressed in their respective costumes. The shadowy figures of British politicians loom in the background, blowing back the Irish petitioners with a gust of wind. The parodic verse below, written in the style of John Milton, adds to the print's harsh criticism. It reads: "But now, alas! The long-desired boon, Which Ireland's Saints and Politicians crave, Is snatch'd away by England's haughty scorn, And Heaven's Gate denies them all entrance. No more for them the blissful realms above, But everlasting purgatory below, Where they must dwell, and suffer endless pain, For daring to seek the Popish Bull's embrace." This powerful image reflects the deep-seated intolerance and animosity towards Catholicism that persisted in England during this period. The print was published in 1806, a time when the issue of Catholic Emancipation was a contentious political topic, and Gillray's biting satire served to fuel the flames of the ongoing debate. The print's enduring significance lies in its ability to capture the complexities and tensions of this pivotal moment in Irish and British history.

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