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Jigsaw Puzzle : George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)
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George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)
XYC281150 George Taylors Epitaph, c.1750 (pen & ink over graphite on paper) by Hogarth, William (1697-1764); 2.9x31.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: Death giving George Taylor a cross buttock; ); English, out of copyright
Media ID 12794615
© www.bridgemanart.com
Beating Grim Reaper Kicking Muscular Pain Taylor Dying
Jigsaw Puzzle (400 Pieces)
Discover the captivating world of George Taylors Epitaph with our Media Storehouse Jigsaw Puzzle. This intricately detailed puzzle features the beautiful pen and ink over graphite on paper artwork by William Hogarth, titled 'George Taylors Epitaph, c.1750'. Immerse yourself in the rich history and artistry of this masterpiece from the Paul Mellon Collection at Yale Center for British Art. Challenge yourself and your family to piece together this jigsaw puzzle, bringing the intricate lines and subtle shading of Hogarth's work to life in your own home. Perfect for art lovers, history buffs, or anyone seeking a fun and engaging activity.
400 piece puzzles are custom made in the UK and hand-finished on 100% recycled 1.5 mm millboard. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 31x47cm and is delivered packaged in an attractive presentation box specially designed to fit most letter box slots
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 47.2cm x 31.5cm (18.6" x 12.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This print showcases "George Taylor's Epitaph" by the renowned artist William Hogarth. Created around 1750, this piece is a remarkable example of pen and ink over graphite on paper. Measuring at 2.9x31.6 cm, it is housed in the prestigious Yale Center for British Art as part of the Paul Mellon Collection in the USA. The artwork depicts an intriguing scene where Death himself appears to be giving George Taylor a cross buttock - a wrestling move that involves lifting one's opponent off their feet and throwing them to the ground. The skeletal figure of Death looms over Taylor, who is depicted nude and muscular, emphasizing his vulnerability in the face of mortality. Hogarth's masterful sketch captures not only physical pain but also conveys emotional turmoil through his expressive lines and attention to detail. The image portrays Taylor as a taylor (not related to any company), symbolizing his profession while facing his imminent demise. This thought-provoking composition explores themes of mortality, human fragility, and our inevitable encounter with death itself. It serves as a reminder that no matter how strong or skilled we may be in life, we are all ultimately subject to its finality.
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