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Women bathing before an architectural panorama, c. 1765. Creator: Fayzullah (Indian, active c
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Women bathing before an architectural panorama, c. 1765. Creator: Fayzullah (Indian, active c
Women bathing before an architectural panorama, c. 1765. Despite the wars waged and forts besieged in the background, life in the palace is carefree and luxurious. Some women enjoy hookahs and music on balconies, while others swim and drink liquor with abandon from Chinese porcelain cups and bottles. The artist has placed his name under the central pavilion, observing the scene across a formal garden of marigolds. The artist seems to have enjoyed experimenting with the idea of perspective, learned from European sources. He created a rapidly receding space that telescopes the view from the intimate harem quarters to the distant battlefields
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Media ID 19649383
© Heritage Art/Heritage Images
Lucknow Mughal Opaque Watercolour And Gold On Paper Fayzullah
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EDITORS COMMENTS
This photo print, titled "Women bathing before an architectural panorama, c. 1765" by Fayzullah, transports us to a world of opulence and tranquility amidst the chaos of war. The artist skillfully captures the stark contrast between the battles raging in the distant forts and the carefree existence within the palace walls. In this scene, we witness women indulging in leisurely activities against a backdrop of architectural grandeur. Some are seen enjoying hookahs and music on balconies adorned with intricate designs, while others revel in swimming and sipping liquor from exquisite Chinese porcelain cups and bottles. The atmosphere exudes luxury and freedom as these women immerse themselves in pleasure without restraint. Fayzullah's artistic prowess shines through his meticulous attention to detail. He places his name under the central pavilion, signifying his pride in capturing this enchanting moment. Moreover, he demonstrates a fusion of Eastern and Western influences by incorporating European techniques of perspective into his work. The painting also showcases a beautifully landscaped formal garden filled with vibrant marigolds that separates the harem quarters from the battlefield beyond. This clever use of space creates a sense of depth that draws us into this idyllic oasis within an otherwise tumultuous era. Preserved at The Cleveland Museum of Art, this masterpiece serves as a testament to Fayzullah's talent as well as an invaluable glimpse into Mughal India's rich cultural heritage.
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