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The wild peacock. The wild female peacock, ca 1820. Creator: Schinz, Heinrich Rudolf (1777-1861)

The wild peacock. The wild female peacock, ca 1820. Creator: Schinz, Heinrich Rudolf (1777-1861)


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The wild peacock. The wild female peacock, ca 1820. Creator: Schinz, Heinrich Rudolf (1777-1861)

The wild peacock. The wild female peacock, ca 1820. Private Collection

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Media ID 36217037

© Fine Art Images/Heritage Images

Animals And Birds Erudition Etching Watercolour History Of Science Peacock Scholarship Schwitzerland


EDITORS COMMENTS
This exquisite etching and watercolor print, titled "The Wild Peacock. The Wild Female Peacock," was created by the renowned Swiss naturalist and artist, Heinrich Rudolf Schinz, around 1820. Schinz, born in 1777, was a pioneering figure in the fields of zoology and natural history illustration. His meticulous attention to detail and commitment to scientific accuracy are evident in this stunning depiction of the wild female peacock, a species that continues to captivate and inspire. The peacock, known for its distinctive iridescent plumage, is a native of India and Southeast Asia. The female, or peahen, is less colorful than her male counterpart, with a predominantly brown and green body. However, as shown in this print, she possesses an intricate pattern of feathers on her back, which can be raised to display to potential mates. Schinz's illustration is a testament to the beauty and complexity of the natural world, as well as the importance of scientific exploration and documentation. The use of both etching and watercolor techniques adds depth and texture to the image, capturing the delicate details of the peacock's feathers and the subtle shading of her body. This print is a valuable addition to any collection of fine art images, graphic arts, or natural history illustrations. It is a reminder of the rich history of scientific inquiry and the enduring fascination with the natural world, as well as the artistic mastery of a brilliant and dedicated artist like Heinrich Rudolf Schinz.

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