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The Vision of Saint Eustace, c. 1440. Artist: Pisanello, Antonio (1395-1455)

The Vision of Saint Eustace, c. 1440. Artist: Pisanello, Antonio (1395-1455)


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The Vision of Saint Eustace, c. 1440. Artist: Pisanello, Antonio (1395-1455)

The Vision of Saint Eustace, c. 1440. Found in the collection of the National Gallery, London

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Media ID 15001837

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Animals And Birds Antonio 1395 1455 Eustace Eustace Placidus Eustachius Eustathius Faith Healer Helper Martyr Martyrdom National Gallery Pisanello Placidus Saint Eustace Saint Placidus Saints School Of Mantua Tempera On Panel


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The Vision of Saint Eustace, c. 1440

EDITORS COMMENTS
is a captivating masterpiece by the renowned Italian artist Pisanello. This exquisite painting, housed in the prestigious National Gallery in London, transports viewers to a world of faith and spirituality. At its center stands Saint Eustace, his noble figure illuminated by divine light. Clad in armor and mounted on a majestic horse, he gazes upward with awe as he witnesses a miraculous vision unfold before him. The scene is enriched by intricate details: the delicate brushstrokes that bring life to every strand of hair on Eustace's head; the vibrant colors that evoke an otherworldly atmosphere. Beside him, two loyal dogs stand faithfully at attention. Their presence symbolizes loyalty and devotion—a testament to their unwavering commitment to their master's spiritual journey. This Gothic-inspired artwork not only showcases Pisanello's exceptional talent but also serves as a visual representation of Christian martyrdom and steadfastness in one's faith. It invites contemplation about our own beliefs and inspires us to reflect upon our own spiritual journeys. "The Vision of Saint Eustace" is an enduring reminder that art has the power to transcend time and space, touching hearts across centuries. As we gaze upon this remarkable piece, we are reminded of the profound connection between humans and animals—how they can serve as companions on our path towards enlightenment. In this fine example of tempera on panel technique from the School of Mantua, Pisanello captures both

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