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USSR. Catalogue of the Soviet pavilion at the International Press Exhibition, Cologne, 1928. Artist: Lissitzky, El (1890-1941)
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USSR. Catalogue of the Soviet pavilion at the International Press Exhibition, Cologne, 1928. Artist: Lissitzky, El (1890-1941)
USSR. Catalogue of the Soviet pavilion at the International Press Exhibition, Cologne, 1928. From a private collection
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Media ID 14858042
© Fine Art Images
Collage Construction Of The Ussr Demonstration Economy El 1890 1941 Electrification Industrialialization Konstruktivism Lenin Lissitzky Photomontage Political Agitation Political Poster Proletarian Proletariat Propaganda Russian Avant Garde Soviet Political Agitation Art Soviet Union Symbol Ussr Poster And Graphic Design
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EDITORS COMMENTS
This print showcases the USSR's catalogue of the Soviet pavilion at the International Press Exhibition in Cologne, 1928. Created by renowned artist El Lissitzky, this piece represents a pivotal moment in history where art and politics converged to create powerful imagery. The photograph captures a group of people gathered around the catalogue, engrossed in its contents. The work on display reflects the themes of industry, worker empowerment, and economic progress that were central to Soviet ideology at the time. Symbolism abounds as Lenin's presence is felt through posters and demonstrations depicted within the artwork. Lissitzky's use of photomontage and collage techniques adds depth and complexity to this composition. By combining various images from different sources, he creates a visually striking narrative that highlights both historical events and contemporary aspirations for proletarian advancement. This print serves as an important artifact from Russian avant-garde movement known as Constructivism. It exemplifies how political agitation art was utilized during this era to promote industrialization and electrification efforts in Russia. As we gaze upon this image today, it offers us a glimpse into a tumultuous period marked by rapid change and societal transformation. It reminds us of the power that fine art images possess when used for propaganda purposes while also showcasing Lissitzky's exceptional talent as both an artist and graphic designer.
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