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'"Urith: A Tale of Dartmoor", By S. Baring Gould, M. A.; "I am come with five hundred guineas in go Creator: Frank Dadd. '"Urith: A Tale of Dartmoor", By S. Baring Gould, M
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'"Urith: A Tale of Dartmoor", By S. Baring Gould, M. A.; "I am come with five hundred guineas in go Creator: Frank Dadd. '"Urith: A Tale of Dartmoor", By S. Baring Gould, M
'"Urith: A Tale of Dartmoor", By S. Baring Gould, M. A.; "I am come with five hundred guineas in gold", 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890
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Media ID 36261411
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Baring Gould Sabine Dadd Frank Dartmoor Devon England Fiction Fictional Frank Dadd Gesture Listening Pleading Reverend Sabine Baring Gould Sabine Baring Gould Story The Graphic Urith A Tale Of Dartmoor
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Urith - A Tale of Dartmoor
EDITORS COMMENTS
is a captivating image taken from the pages of "The Graphic: An Illustrated Weekly Newspaper" in 1890. The photograph, created by renowned English artist Frank Dadd, brings to life a scene from Sabine Baring-Gould's Victorian-era novel "Urith: A Tale of Dartmoor." In the image, a man, believed to be Reverend Sabine Baring-Gould himself, approaches a woman, Urith, with an outstretched hand and a pleading expression. The woman, seated on a rocky outcropping against the backdrop of Dartmoor's rugged landscape, gazes intently at the man. He presents her with a stack of gold coins, five hundred guineas, in a desperate attempt to win her favor. The photograph, reminiscent of the 1890s, exudes an air of mystery and intrigue. The contrast between the man's determined demeanor and the woman's stoic response adds to the story's allure. The setting, with its barren trees and rocky terrain, further emphasizes the isolation and desperation of the scene. The image is a testament to the power of storytelling through art and literature. It invites the viewer to imagine the events leading up to this moment and the consequences that may follow. The photograph, a piece of history in itself, serves as a reminder of the rich literary and artistic traditions of Britain during the Victorian era. Frank Dadd's masterful use of light and shadow, as well as his ability to capture the emotions of the characters, make this image a standout piece from "The Graphic" archive. The photograph is a must-see for anyone interested in the history of literature, art, or the Victorian era.
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