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The Surrender of the Khan of Badakhsan, 1772. Creator: Pierre Philippe Choffard
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The Surrender of the Khan of Badakhsan, 1772. Creator: Pierre Philippe Choffard
The Surrender of the Khan of Badakhsan, 1772
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Media ID 20379474
© Heritage Art/Heritage Images
Cavalry Cavalryman Cavalrymen Central Asia Charles Nicholas Cochin The Younger Charles Nicolas Charles Nicolas Cochin Charles Nicolas Cochin Fils Charles Nicolas Cochin Ii Choffard Choffard Pierre Philippe Cochin Cochin Charles Nicolas Defeat Defeated Encampment Etching And Engraving Fence Giovanni Horsemanship Jean Damascene Sallusti Khan Manchu Meeting Mongol Mongols Palisade Pierre Philippe Pierre Philippe Choffard Qing Dynasty Quing Dynasty Riders Sheep Surrender Surrendering Tent Tents Valley Walled Walls Yurt Yurts Fortifications Gers Khagan
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The Surrender of the Khan of Badakhsan, 1772
EDITORS COMMENTS
is a captivating print that transports us back to the 18th century. Created by Pierre Philippe Choffard, this engraving captures a pivotal moment in history with remarkable detail. In this scene, we witness an intense clash between armed forces in Central Asia. The Khan of Badakhsan stands defeated, surrounded by French cavalrymen and Chinese soldiers. Their horses stand tall and majestic, showcasing their exceptional horsemanship skills. The encampment behind them reveals the fortifications that were once meant to protect the Khan's dynasty but now serve as a symbol of his defeat. The intricate etching technique used by Choffard brings out every minute detail - from the building structures to the fencing surrounding them. This artwork not only showcases historical events but also highlights cultural exchanges between different countries during this period. It serves as a testament to France's influence in Central Asia and China's involvement in regional conflicts. As we gaze at this photo print, we are reminded of how art can preserve moments from our past and allow us to reflect on significant geopolitical shifts throughout history. "The Surrender of the Khan of Badakhsan" is not just an image; it is a window into another time - one filled with power struggles, military prowess, and cross-cultural encounters.
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