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Study of Apollo for Marsyas (recto), late 1860s. Creator: Paul Baudry (French, 1828-1886)
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Study of Apollo for Marsyas (recto), late 1860s. Creator: Paul Baudry (French, 1828-1886)
Study of Apollo for Marsyas (recto), late 1860s. This drawing is a preparatory study for the figure of Apollo in Marsyas, a mural painting made to decorate the grand foyer of the Paris Opera, one of the most spectacular design schemes of the 19th century. With one hand resting on his lyre, Apollo points in judgment toward the satyr Marsyas who, having lost his impertinent musical challenge to the god, is condemned to be flayed alive. Stringed instruments--such as Apollos lyre--were thought to produce melodies that conjured noble, intellectual effects, while wind instruments--such as Marsyass bagpipes or flute--were believed to engender sensual or lustful feelings
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Media ID 19641050
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This print showcases a preparatory study for the figure of Apollo in Paul Baudry's masterpiece, Marsyas. Created in the late 1860s, this drawing was an integral part of the grand foyer decoration at the renowned Paris Opera, which remains one of the most awe-inspiring design schemes of the 19th century. In this study, Apollo is depicted with his hand gracefully resting on his lyre while pointing towards Marsyas, a satyr who dared to challenge him musically and lost. The consequences are dire for Marsyas as he faces being flayed alive as punishment. This scene captures not only Apollo's judgment but also highlights the stark contrast between stringed instruments like Apollo's lyre, believed to evoke noble and intellectual emotions through their melodies; and wind instruments such as Marsyas' bagpipes or flute that were thought to incite sensual or lustful feelings. Paul Baudry's attention to detail and mastery of pen and brown ink shine through in this remarkable artwork. It serves as a testament to his skillful technique and ability to bring mythological narratives to life on canvas. Preserved by The Cleveland Museum of Art, this Heritage Art print allows us to appreciate Baudry's contribution to French art history during the 19th century.
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