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The Stage Medley, 18th century

The Stage Medley, 18th century


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The Stage Medley, 18th century

The Stage Medley: representing the state of the town and the matchless merits of poet G---Polly Peachum and Captain Macheath, 18th century. Scenes from The Beggars Opera, written in 1728 by John Gay. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917031

© The Print Collector / Heritage-Images

Beggars Opera Emily Morse Emily Morse Symonds George Paston John Gay Paston Symonds The Beggars Opera Captain Macheath Macheath Polly Peachum


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> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Photographers > John Gay

> Europe > United Kingdom > England > London > Art > Opera

> Europe > United Kingdom > England > London > Art > Theatre

> Popular Themes > Poets


The Stage Medley - A Captivating Glimpse into 18th Century Drama

EDITORS COMMENTS
. This photo print, titled "The Stage Medley" takes us back to the vibrant world of 18th-century British theater. The image showcases scenes from John Gay's iconic play, "The Beggars Opera" written in 1728. In this illustration from Emily Morse Symonds' book, "Social Caricature in the Eighteenth Century" we are transported to a time when drama reigned supreme on the stage. The central figures of Polly Peachum and Captain Macheath come alive before our eyes, their matchless merits showcased through their expressive performances. Surrounded by an ensemble cast and set against a monochrome backdrop, these characters embody the essence of the era's theatrical brilliance. We witness Mother Peachum's commanding presence as she orchestrates her schemes with cunning precision. Meanwhile, Polly Peachum captivates us with her beauty and charm while entangled in a tumultuous love affair with the roguish Captain Macheath. Through over two hundred illustrations by George Paston (the pseudonym of Emily Morse Symonds), this print collector6 transports us to a time when theater was at its zenith. It serves as both an homage to John Gay's enduring masterpiece and a testament to the power of artistry in capturing human emotions. As we gaze upon this remarkable piece, we are reminded that even centuries later, these timeless tales continue to resonate within our

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