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"Sem" Old Believers exiled under Catherine II to Transbaikalia, 1904-1917. Creator: Unknown. "Sem" Old Believers exiled under Catherine II to Transbaikalia, 1904-1917. Creator: Unknown
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"Sem" Old Believers exiled under Catherine II to Transbaikalia, 1904-1917. Creator: Unknown. "Sem" Old Believers exiled under Catherine II to Transbaikalia, 1904-1917. Creator: Unknown
"Sem" Old Believers exiled under Catherine II to Transbaikalia, 1904-1917. National Library of Russia
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Media ID 35121487
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Anhalt Zerbst Princess Sophie Of Anti Jewish Anti Semitic Anti Semitism Antisemitic Antisemitism Catherine Ii Catherine Ii Empress Of Russia Catherine Ii Of Russia Catherine The Great Catherine The Great Empress Of Russia Catherine Von Anholt Zerbst Chromolithograph Communication Empress Of Russia Exile Exiled Frontier Jewish Judaism Katherine Ii Lithographic Middle Eastern National Library Of Russia Position Princess Sophie Of Anhalt Zerbst Siberia Siberian Side By Side Sophia Augusta Frederica Of Anhalt Transbaikal Russia Von Anholt Zerbst Catherine Zabaykalsky Krai Russia Group Portrait Lithotint Meeting Of Frontiers Postal Service Semitic
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EDITORS COMMENTS
This chromolithograph depicts a group of Sem Old Believers, an Orthodox Christian sect that refused to accept the reforms introduced by Patriarch Nikon in the 17th century, during their exile to Transbaikalia under the rule of Catherine II of Russia, between 1904 and 1917. The image captures the harsh realities of their new frontier life, as they are shown gathered around a campfire in the wilderness, with horses and other animals in the background. The Old Believers were subjected to persecution and discrimination due to their religious beliefs, which were considered heretical by the Russian Orthodox Church and the Russian state. This antisemitic policy was part of Catherine II's broader efforts to consolidate her power and promote Russian Orthodoxy. The meeting of the diverse group of people, with their different poses and expressions, conveys a sense of resilience and determination in the face of adversity. The lithograph, which is believed to be a color lithotint, offers a unique glimpse into the history of religious persecution and the experiences of exiled communities in Russia during this period. The image is a poignant reminder of the rich cultural heritage and the complexities of communication and identity in the context of the meeting of frontiers and the clash of different beliefs and traditions.
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