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A Rude Design for a Grand Historical Picture of The Death of Caesar, 1836. Creator: John Doyle
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A Rude Design for a Grand Historical Picture of The Death of Caesar, 1836. Creator: John Doyle
A Rude Design for a Grand Historical Picture of The Death of Caesar, 1836. Satire of British politics, with politicians in a scene from " Julius Caesar" by William Shakespeare: Sir James Graham, the Duke of Wellington, John Singleton Copley, Sir Robert Peel. Wellington (as Brutus) says: Not that I loved Caesar less, but that I loved Rome more. From " Political sketches of H.B."
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Media ID 18280590
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1st Baron Lyndhurst 1st Duke Of Wellington 2nd Baronet Arthur Arthur Wellesley Baron Baron Lyndhurst Brutus Caesar Copley Derby Doyle Duke Of Duke Of Wellington Earl Of Earl Of Derby Edward Geoffrey Smith Stanley Edward George Geoffrey Smith Edward George Geoffrey Smith Stanley Edward Stanley Graham Iron Duke James Graham John Doyle John Singleton John Singleton Copley John Singleton Copley Jr John Singleton Copley Junior Julius Caesar Lord Lyndhurst Lord Wellington Lyndhurst Peel Prime Minister Robert Peel Shakespeare Sir Arthur Wellesley Sir James Graham Sir James Robert George Graham Sir Robert Sir Robert Peel Smith Stanley Stanley The Iron Duke Wellesley Wellington Whig William Shakespeare
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EDITORS COMMENTS
This black and white lithograph, titled "A Rude Design for a Grand Historical Picture of The Death of Caesar" captures a satirical scene from British politics in 1836. Created by John Doyle as part of his series "Political sketches of H. B" the print humorously portrays influential politicians in the roles of characters from William Shakespeare's play "Julius Caesar". In this comical depiction, we see Sir James Graham, the Duke of Wellington, John Singleton Copley, and Sir Robert Peel taking center stage. The Duke of Wellington, portrayed as Brutus, delivers his famous line: "Not that I loved Caesar less but that I loved Rome more". This clever adaptation serves as a commentary on their political ambitions and loyalty to Britain. The artist skillfully uses irony and wit to highlight the power struggles within British politics during the 19th century. Through this visual satire, Doyle exposes the complexities behind political alliances and personal motivations. With its intricate engravings and attention to detail, this historical lithograph provides us with a glimpse into an era where art was used not only for aesthetic purposes but also as a means to critique society. It reminds us that even centuries ago, political satire played an essential role in shaping public opinion. As we examine this artwork today, it serves as a reminder that while times may change, human nature remains constant – filled with ambition and conflicting loyalties – making it all too relatable across generations.
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