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A Rakes Progress; scene I, 1735. Artist: William Hogarth
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A Rakes Progress; scene I, 1735. Artist: William Hogarth
A Rakes Progress ; scene I, 1734. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes, whilst the rake tries to buy off Sarah Young, who stands by the door crying and holding a wedding ring, with her angry mother next to her. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
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Media ID 14972618
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A Rakes Progress Anger Angry Austin Dobson Crying Daughter Dobson Fiancee Fortune Fury Georgian Henry Austin Henry Austin Dobson Hogarth Inheritance Measuring Morality Rage Rejected Rejecting Rejection Sadness Sarah Young Tailor Tailoring Tom Rakewell W Hogarth Wealth Wealthy William Hogarth Parenting Satirical
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EDITORS COMMENTS
This print captures a scene from William Hogarth's iconic series "A Rake's Progress". In this first installment, painted in 1734, we witness the downfall of Tom Rakewell as he takes possession of his father's belongings. Kneeling beside him is a tailor, diligently measuring him for new clothes, symbolizing the extravagant lifestyle that Tom is about to embark on. However, amidst this display of wealth and indulgence, there is an air of tension and despair. Sarah Young stands by the door with tears streaming down her face, clutching a wedding ring. Her anguished mother stands next to her in anger and disappointment. The viewer can sense the emotional turmoil as Tom tries to buy off Sarah with his fortune. The composition beautifully portrays contrasting emotions - from greed and materialism to heartbreak and rejection. Through Hogarth's satirical lens, he critiques society's obsession with wealth and its consequences on personal relationships. This monochrome image transports us back to 18th century England, offering a glimpse into the lives of these characters caught in their own moral dilemmas. It serves as a reminder that even amidst opulence, true happiness cannot be bought or traded. As we delve into this thought-provoking artwork by Hogarth through Henry Austin Dobson's insightful commentary, we are reminded of the timeless themes explored within it: love versus money, family dynamics shaped by societal expectations, and ultimately the fragility of human desires when confronted with harsh realities.
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