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The Portico of the Pantheon, 1750s and early 1760s. Creator: Giovanni Battista Piranesi

The Portico of the Pantheon, 1750s and early 1760s. Creator: Giovanni Battista Piranesi


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The Portico of the Pantheon, 1750s and early 1760s. Creator: Giovanni Battista Piranesi

The Portico of the Pantheon, 1750s and early 1760s

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Media ID 36301667

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Brown Ink Brown Wash Columns Giovanni Battista Piranesi Pantheon Piranesi Giovanni Battista Portico Red Chalk Rotunda S Maria Ad Martyres Santa Maria Ad Martyres Santa Maria Rotonda Wash


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EDITORS COMMENTS
This print, titled "The Portico of the Pantheon" by the renowned Italian artist Giovanni Battista Piranesi, dates back to the 1750s and early 1760s. Piranesi, a leading figure in the world of 18th-century art and architecture, masterfully captured the essence of one of Rome's most iconic structures - the Pantheon. The Pantheon, originally built as a temple dedicated to all the gods, later became a church in the 7th century AD and was consecrated to the Virgin Mary and all the martyrs. The architectural marvel is renowned for its massive dome, which is an engineering feat even by today's standards. However, in this exquisite print, Piranesi focuses on the portico, with its impressive columns and intricate detailing. The print is a pen and ink drawing, with brown ink and gray and gray brown wash over red chalk on three pieces of paper glued together vertically. The artist's use of chiaroscuro, the contrast between light and dark, adds depth and dimension to the drawing, making the columns appear solid and robust. The columns, with their Corinthian capitals, are depicted in their natural brown hue, contrasting beautifully with the grey wash that covers the background. This print is a testament to Piranesi's exceptional skill as an artist and his deep appreciation for the rich cultural heritage of Italy. It is a scene frozen in time, inviting viewers to imagine the bustling Roman life that once surrounded the Pantheon. Today, this print is a cherished piece of art history, on display at the National Gallery of Art in Washington, D.C., where it continues to inspire and captivate audiences.

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