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Poem by Gon-Chunagon Sadaie, from the series One Hundred Poems
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Poem by Gon-Chunagon Sadaie, from the series One Hundred Poems
Poem by Gon-Chunagon Sadaie, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), late 18th-early 19th century
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Media ID 20550520
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Bare Feet Bucket Buckets Fuel Furnace Harness Hokusai Hokusai Katsushika Hokusai Tokimasa Ink And Color On Paper Kako Katsushika Katsushika Hokusai Poem Saki No Sheaf Sheaves Shunrō Sorobeku Tatsumasa Yoke Yokes Zen No Barefoot Poetry Polychrome Woodblock Print
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EDITORS COMMENTS
This polychrome woodblock print by Hokusai, titled "Poem by Gon-Chunagon Sadaie, from the series One Hundred Poems Explained by the Nurse" transports us to late 18th-early 19th century Japan. The artwork beautifully captures a scene from the Edo period, showcasing the artist's mastery of ink and color on paper. In this vibrant composition, we see a group of workers in a rural setting. A man and woman are depicted barefoot as they go about their daily tasks. They carry buckets and yokes, symbolizing their laborious work in gathering fuel for a furnace that emits wisps of smoke into the air. The poem written by Gon-Chunagon Sadaie adds an additional layer of depth to this artwork. It speaks to themes of nature and country life, evoking a sense of nostalgia for simpler times. The serene location near Matsuho Bay further enhances this sentiment. Hokusai's attention to detail is evident in every element of the print - from the intricate patterns on clothing to the carefully rendered sheaves of grain held by one worker. This piece exemplifies ukiyo-e art at its finest, capturing both everyday life and poetic beauty with equal grace. Displayed at The Metropolitan Museum of Art, this heritage art serves as a testament to Hokusai's enduring legacy as one of Japan's most celebrated artists.
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