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Paul Gonsalves and Lawrence Brown, rehearsal for a Sacred Concert, Cambridge, 1967
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Paul Gonsalves and Lawrence Brown, rehearsal for a Sacred Concert, Cambridge, 1967
Paul Gonsalves (tenor sax) and Lawrence Brown (trombone), rehearsal for a Sacred Concert, Cambridge, 1967. On February 20, 1967, Duke Ellingtons 15-piece ensemble, featuring many of jazzs all-time greats, played a two-hour special concert in Cambridge. 1, 300 people packed into the church, for the one-off show; which featured tap-dancing, and a lengthy drum solo. As well as Ellington at the keyboard, other star players on the night included trumpet player Cat Anderson, saxophonist Johnny Hodges, drummer Rufus Speedy Jones, and Esther Marrow on vocals
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Media ID 19064011
© National Jazz Archive/Heritage Images
Brass Brian Foskett Cambridge Cambridgeshire Duke Duke Ellington Ellington Entertainer Foskett Fred Foskett Freddy Foskett Lawrence Lawrence Brown National Jazz Archive Paul Saxaphone Player Saxophone Saxophone Player Saxophonist Tenor Saxophone Tenor Saxophonist Trombone Trombone Player Trombonist Brian Great St Marys Church Playing An Instrument
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EDITORS COMMENTS
This print captures the essence of a historic moment in jazz history. It showcases two legendary musicians, Paul Gonsalves and Lawrence Brown, rehearsing for a Sacred Concert in Cambridge, 1967. The concert itself was an extraordinary event that brought together Duke Ellington's 15-piece ensemble, featuring some of jazz's greatest talents. On February 20th, 1967, over 1,300 people filled the Great St Mary's Church to witness this one-of-a-kind performance. The atmosphere was electric as the audience eagerly awaited the show to begin. Tap-dancing added an extra layer of excitement to the evening while a mesmerizing drum solo captivated everyone present. The photograph beautifully captures Gonsalves on tenor saxophone and Brown on trombone engrossed in their rehearsal session. Their passion for music is evident as they pour their souls into each note played. Alongside them are other luminaries such as Cat Anderson on trumpet and Johnny Hodges on saxophone. This image not only immortalizes these incredible musicians but also serves as a testament to the power of music in bringing people together across different cultures and religions. It symbolizes unity through artistry. Preserved by Brian Foskett at the National Jazz Archive, this print holds historical significance within its monochrome frame. It transports us back to that remarkable night when jazz reigned supreme in Cambridge—a night forever etched in musical history.
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