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The Pantheon, 1775/80. Creator: Jacques-Louis David

The Pantheon, 1775 / 80. Creator: Jacques-Louis David


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The Pantheon, 1775/80. Creator: Jacques-Louis David

The Pantheon, 1775/80

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Media ID 36229007

© Heritage Art/Heritage Images

David Jacques Louis David L David Louis Horse And Cart Jacques Louis David Pantheon Rome Lazio Italy Rotunda S Maria Ad Martyres Santa Maria Ad Martyres Santa Maria Rotonda Wash


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> Arts > Artists > D > Jacques Louis David

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Arts > Realistic drawings > Graphite art > Black and white art

> Arts > Realistic drawings > Graphite art > Fine art

> Europe > Italy > Lazio > Related Images


EDITORS COMMENTS
This black and white print, created by the renowned French artist Jacques-Louis David around 1775/80, offers a mesmerizing depiction of The Pantheon in ancient Rome. The Pantheon, originally built as a temple dedicated to all the gods of pagan Rome, later became a church, consecrated to the Virgin Mary and all the saints in the 7th century. David masterfully captures the architectural grandeur of this historic building, with its iconic rotunda and dome, which has stood the test of time for over 2,000 years. The print showcases the Pantheon's impressive columns, intricate details, and the horse-drawn vehicles and figures that populate the bustling Roman streets outside. The use of black ink and gray wash over graphite on laid paper adds to the print's antique charm and enhances the contrast between the dark, intricate details and the lighter areas, such as the sky and the horse-drawn vehicles. This print is a testament to the rich cultural heritage of both ancient Rome and the 18th century, as well as the enduring influence of classical art on European culture. This print is now part of the prestigious collection of the National Gallery of Art in Washington, D.C., and serves as a reminder of the importance of preserving and exhibiting historical and artistic treasures for future generations to appreciate and learn from.

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