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Oliver Cromwell and his Troops at Dunbar Singing the 118th Psalm, 1926. Artist: Andrew Garrick Gow
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Oliver Cromwell and his Troops at Dunbar Singing the 118th Psalm, 1926. Artist: Andrew Garrick Gow
Oliver Cromwell and his Troops at Dunbar Singing the 118th Psalm, 1926. Cromwell (1599-1658) commanded the forces of Parliament during the English Civil War. After the war England, Scotland and Ireland became a commonwealth. Cromwell was head of state as Lord Protector of the Commonwealth from 1653 until his death. From An Outline of Christianity, The Story of Our Civilisation, volume 3: The Rise of the Modern Church, edited by RG Parsons and AS Peake, published by the Waverley Book Club (London, 1926)
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Media ID 14934918
© The Print Collector / Heritage-Images
As Peake Cavalier Cavalry Civil War Cromwell English Civil War English Civil Wars 1642 1648 Infantry Lord Protector Lord Protector Of The Commonwealth Mounted Infantry Oliver Oliver Cromwell Parsons Peake Rg Parsons Roundhead Storm Sword Bearer
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EDITORS COMMENTS
Oliver Cromwell and his Troops at Dunbar Singing the 118th Psalm, 1926". This print captures a powerful moment in history, as Oliver Cromwell and his troops gather at Dunbar during the English Civil War. Painted by Andrew Garrick Gow in vibrant colors, this artwork brings to life an important chapter in our civilization's story. Cromwell, a formidable leader who commanded Parliament's forces during the war, stands tall among his soldiers. With swords raised high and determination etched on their faces, they prepare for battle against their Cavalier adversaries. In the midst of this tense scene, something unexpected happens - they break into song. The soldiers' voices rise together as they sing Psalm 118 from their well-worn Bibles. Their harmonious melody cuts through the stormy weather that surrounds them, symbolizing their unwavering faith and resilience amidst chaos. The horses nearby seem to listen intently, adding an air of solemnity to this extraordinary moment. Through this painting, we glimpse not only a military campaign but also a profound connection between religion and warfare. It reminds us of how deeply intertwined Christianity was with the lives of those who fought for what they believed in. As we admire Gow's skillful brushstrokes and attention to detail, we are transported back to a time when battles were fought not only with weapons but also with songs of praise. This print serves as a testament to both the artistry of its creator and the indomitable spirit that defined Oliver Cromwell's era.
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