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Old London Bridge, 1795. Artist: Joseph Constantine Stadler
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Old London Bridge, 1795. Artist: Joseph Constantine Stadler
Old London Bridge, 1795. View of old London Bridge, St Magnus the Martyr and the Monument from the south west with boats on the River Thames
Heritage Images features heritage image collections
Media ID 15175088
© London Metropolitan Archives (City of London) / Heritage-Images
Farington Joseph Constantine Joseph Constantine Stadler Joseph Farington London Bridge Monument St Magnus The Martyr Stadler Thames The Monument Aquatint
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EDITORS COMMENTS
This print takes us back to the enchanting streets of Old London Bridge in 1795. Created by the talented artist Joseph Constantine Stadler, this aquatint masterpiece captures the essence of a bygone era. The view from the south west reveals not only the majestic bridge itself but also two iconic landmarks - St Magnus the Martyr and The Monument. As we gaze upon this scene, our eyes are drawn to the bustling River Thames adorned with numerous boats gracefully gliding along its waters. This image transports us to a time when water transport was an integral part of daily life in Britain. The architectural beauty of Old London Bridge is evident in every detail, showcasing its remarkable design and engineering prowess for that century. Its presence stands as a testament to British craftsmanship and innovation. Amidst all these physical elements, one cannot overlook the spiritual significance embedded within this landscape. The towering church of St Magnus the Martyr reminds us of Christianity's deep roots in English culture and history. Preserved through time, this vibrant color print serves as both a geographical feature and a historical artifact. It allows us to explore England's rich heritage while offering glimpses into how transportation has evolved over centuries. Displayed at Guildhall Library and Art Gallery, Joseph Farington's work continues to captivate viewers with its intricate details and vivid portrayal of life on Old London Bridge during that era. Let this image be a window into our past - an invitation to immerse ourselves in history without commercial intentions but rather for
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