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Joseph Constantine Stadler Collection

Joseph Constantine Stadler, a talented artist from Stamford Lincolnshire, left an indelible mark on the art world with his exquisite sketches and engravings

Background imageJoseph Constantine Stadler Collection: Stamford Lincolnshire, from Sketches from Nature, 1822. 1822

Stamford Lincolnshire, from Sketches from Nature, 1822. 1822
Stamford Lincolnshire, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: The Tanfield Arch in 1804, (1945). Creator: Joseph Constantine Stadler

The Tanfield Arch in 1804, (1945). Creator: Joseph Constantine Stadler
The Tanfield Arch in 1804, (1945). The Causey Arch near Stanley in County Durham is the worlds oldest surviving single arch railway bridge

Background imageJoseph Constantine Stadler Collection: Cart and Horse, 18th Century. Creator: Joseph Constantine Stadler (fl. 1780-1812)

Cart and Horse, 18th Century. Creator: Joseph Constantine Stadler (fl. 1780-1812)
Cart and Horse 18th Century (soft ground etching)

Background imageJoseph Constantine Stadler Collection: View of Waterloo Bridge from the east side of the terrace of Somerset House, 1818

View of Waterloo Bridge from the east side of the terrace of Somerset House, 1818. Creator: Joseph Constantine Stadler
View of Waterloo Bridge from the east side of the terrace of Somerset House, 1818

Background imageJoseph Constantine Stadler Collection: View of Somerset House and the Thames from the south, 1817. Creator: Joseph Constantine Stadler

View of Somerset House and the Thames from the south, 1817. Creator: Joseph Constantine Stadler
View of Somerset House and the Thames from the south, 1817

Background imageJoseph Constantine Stadler Collection: Maison du Duc d'Orléans à Twickenham, published August 1, 1816

Maison du Duc d'Orléans à Twickenham, published August 1, 1816. Creator: Joseph Constantine Stadler
Maison du Duc d'Orleans a Twickenham, published August 1, 1816

Background imageJoseph Constantine Stadler Collection: The Blue Egyptian Water Lily, September 11, 1804. Creator: Joseph Constantine Stadler

The Blue Egyptian Water Lily, September 11, 1804. Creator: Joseph Constantine Stadler
The Blue Egyptian Water Lily, September 11, 1804. From " The Temple of Flora, or Garden of Nature"

Background imageJoseph Constantine Stadler Collection: Lambeth Palace, engraved by Joseph Constantine Stadler (fl

Lambeth Palace, engraved by Joseph Constantine Stadler (fl
1071568 Lambeth Palace, engraved by Joseph Constantine Stadler (fl.1780-1812), published 1808 (coloured aquatint) by Rowlandson, T.(1756-1827) & Pugin

Background imageJoseph Constantine Stadler Collection: Quakers Meeting from Ackermanns Repository of Arts

Quakers Meeting from Ackermanns Repository of Arts
2563385 Quakers Meeting from Ackermanns Repository of Arts, aquatinted by Joseph Constantine Stadler (fl.1780-1812), 1804 (aquatint) by Rowlandson, T.(1756-1827) & Pugin

Background imageJoseph Constantine Stadler Collection: View of the Grand Procession of the Sacred Camel through the Streets of Cairo on their

View of the Grand Procession of the Sacred Camel through the Streets of Cairo on their
985945 View of the Grand Procession of the Sacred Camel through the Streets of Cairo on their Pilgrimage to Mecca & Medina, 1822 (hand-coloured aquatint engraving) by Willyams

Background imageJoseph Constantine Stadler Collection: Meeting of Wellington and Blucher at La Belle Alliance, aquatint by Joseph Constantine Stadler (fl)

Meeting of Wellington and Blucher at La Belle Alliance, aquatint by Joseph Constantine Stadler (fl)
1268432 Meeting of Wellington and Blucher at La Belle Alliance, aquatint by Joseph Constantine Stadler (fl.1780-1812), 1818 (coloured aquatint) by Heath

Background imageJoseph Constantine Stadler Collection: Uniform of Private of the 1st or Kings Dragoon Guards

Uniform of Private of the 1st or Kings Dragoon Guards
810309 Uniform of Private of the 1st or Kings Dragoon Guards, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint) by Smith

Background imageJoseph Constantine Stadler Collection: Uniform of Officer & Private of the 52nd Regt. Of Light Infantry

Uniform of Officer & Private of the 52nd Regt. Of Light Infantry
810308 Uniform of Officer & Private of the 52nd Regt. Of Light Infantry, engraved by Joseph Constantine Stadler (fl.1780-1812), 1812-15 (hand-coloured aquatint) by Smith

Background imageJoseph Constantine Stadler Collection: Captain Bowling introduced to Narcissa, May 12, 1800. May 12, 1800

Captain Bowling introduced to Narcissa, May 12, 1800. May 12, 1800
Captain Bowling introduced to Narcissa, May 12, 1800

Background imageJoseph Constantine Stadler Collection: Temple at Strawberry Hill, from Sketches from Nature, 1822. 1822

Temple at Strawberry Hill, from Sketches from Nature, 1822. 1822
Temple at Strawberry Hill, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: The Seat of M. Mitchell Esq. Hengar, Cornwall, from Sketches from Nature'

The Seat of M. Mitchell Esq. Hengar, Cornwall, from Sketches from Nature"
The Seat of M. Mitchell Esq. Hengar, Cornwall, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: A View near Richmond, from Sketches from Nature, 1822. 1822

A View near Richmond, from Sketches from Nature, 1822. 1822
A View near Richmond, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: Village of St. Udy, Cornwall, from Sketches from Nature, 1822. 1822

Village of St. Udy, Cornwall, from Sketches from Nature, 1822. 1822
Village of St. Udy, Cornwall, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: White Lion Inn. Ponders End, Middlesex, from Sketches from Nature, 1822

White Lion Inn. Ponders End, Middlesex, from Sketches from Nature, 1822
White Lion Inn. Ponders End, Middlesex, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: Fowey, Cornwall, from Sketches from Nature, 1822. 1822

Fowey, Cornwall, from Sketches from Nature, 1822. 1822
Fowey, Cornwall, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: A View in Devonshire, from Sketches from Nature, 1822. 1822

A View in Devonshire, from Sketches from Nature, 1822. 1822
A View in Devonshire, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: A View of Camelford, Cornwall, from Sketches from Nature, 1822. 1822

A View of Camelford, Cornwall, from Sketches from Nature, 1822. 1822
A View of Camelford, Cornwall, from " Sketches from Nature", 1822

Background imageJoseph Constantine Stadler Collection: Rodericks Examination at Surgeons Hall, May 12, 1800. May 12, 1800

Rodericks Examination at Surgeons Hall, May 12, 1800. May 12, 1800
Rodericks Examination at Surgeons Hall, May 12, 1800

Background imageJoseph Constantine Stadler Collection: Sea Bathing, from Poetical Sketches of Scarborough, 1813. 1813

Sea Bathing, from Poetical Sketches of Scarborough, 1813. 1813
Sea Bathing, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Sands, from Poetical Sketches of Scarborough, 1813. 1813

The Sands, from Poetical Sketches of Scarborough, 1813. 1813
The Sands, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Widow Ducker & Her Nymphs, from Poetical Sketches of Scarborough, 1813

Widow Ducker & Her Nymphs, from Poetical Sketches of Scarborough, 1813
Widow Ducker & Her Nymphs, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Post Office, from Poetical Sketches of Scarborough, 1813. 1813

The Post Office, from Poetical Sketches of Scarborough, 1813. 1813
The Post Office, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Departure, from Poetical Sketches of Scarborough, 1813. 1813

The Departure, from Poetical Sketches of Scarborough, 1813. 1813
The Departure, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Spa Terrace, from Poetical Sketches of Scarborough, 1813. 1813

Spa Terrace, from Poetical Sketches of Scarborough, 1813. 1813
Spa Terrace, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Wet Quakers, from Poetical Sketches of Scarborough, 1813. 1813

Wet Quakers, from Poetical Sketches of Scarborough, 1813. 1813
Wet Quakers, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Ball Room, from Poetical Sketches of Scarborough, 1813. 1813

The Ball Room, from Poetical Sketches of Scarborough, 1813. 1813
The Ball Room, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Cornelian Bay, from Poetical Sketches of Scarborough, 1813. 1813

Cornelian Bay, from Poetical Sketches of Scarborough, 1813. 1813
Cornelian Bay, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Warm Bath, from Poetical Sketches of Scarborough, 1813. 1813

The Warm Bath, from Poetical Sketches of Scarborough, 1813. 1813
The Warm Bath, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Terrace, from Poetical Sketches of Scarborough, 1813. 1813

The Terrace, from Poetical Sketches of Scarborough, 1813. 1813
The Terrace, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Boot & Shoe Shop, from Poetical Sketches of Scarborough, 1813. 1813

Boot & Shoe Shop, from Poetical Sketches of Scarborough, 1813. 1813
Boot & Shoe Shop, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: Shower Bath, from Poetical Sketches of Scarborough, 1813. 1813

Shower Bath, from Poetical Sketches of Scarborough, 1813. 1813
Shower Bath, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Church, from Poetical Sketches of Scarborough, 1813. 1813

The Church, from Poetical Sketches of Scarborough, 1813. 1813
The Church, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: The Castle, from Poetical Sketches of Scarborough, 1813. 1813

The Castle, from Poetical Sketches of Scarborough, 1813. 1813
The Castle, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: A Trip to Scarbro, from Poetical Sketches of Scarborough, 1813. 1813

A Trip to Scarbro, from Poetical Sketches of Scarborough, 1813. 1813
A Trip to Scarbro, from " Poetical Sketches of Scarborough", 1813

Background imageJoseph Constantine Stadler Collection: View of Dawlish from the West Cliff, 1817, (1943). Creator: Joseph Constantine Stadler

View of Dawlish from the West Cliff, 1817, (1943). Creator: Joseph Constantine Stadler
View of Dawlish from the West Cliff, 1817, (1943). The town of Dawlish on the south coast of Devon. From " English Cities and Small Towns", by John Betjeman. [Collins, London, 1943]

Background imageJoseph Constantine Stadler Collection: The Departure, 1813. Creators: Joseph Constantine Stadler, Thomas Rowlandson

The Departure, 1813. Creators: Joseph Constantine Stadler, Thomas Rowlandson
The Departure, 1813. Tourists loading luggage onto a carriage in the rain as they leave their lodging house in Scarborough, Yorkshire

Background imageJoseph Constantine Stadler Collection: The White Lily, c1800, (1948). Creator: Joseph Constantine Stadler

The White Lily, c1800, (1948). Creator: Joseph Constantine Stadler
The White Lily, c1800, (1948). From " The Saturday Book", Eighth Year, edited by Leonard Russell. [Hutchinson, London, 1948]

Background imageJoseph Constantine Stadler Collection: View of Streatley and Goring in Berkshire and Oxfordshire, 1793

View of Streatley and Goring in Berkshire and Oxfordshire, 1793. The two vilages stand on opposite banks of the Thames

Background imageJoseph Constantine Stadler Collection: View of Reading from Caversham, Berkshire, 1793. Artist: Joseph Constantine Stadler

View of Reading from Caversham, Berkshire, 1793. Artist: Joseph Constantine Stadler
View of Reading from Caversham, Berkshire, 1793

Background imageJoseph Constantine Stadler Collection: Wallingford, Berkshire, 1790. Artist: Joseph Constantine Stadler

Wallingford, Berkshire, 1790. Artist: Joseph Constantine Stadler
Wallingford, Berkshire, 1790. Wallingford Bridge, a 900 foot long medieval bridge over the Thames, is on the right

Background imageJoseph Constantine Stadler Collection: View of Abingdon from Nuneham Park, Berkshire, 1793. Artist: Joseph Constantine Stadler

View of Abingdon from Nuneham Park, Berkshire, 1793. Artist: Joseph Constantine Stadler
View of Abingdon from Nuneham Park, Berkshire, 1793

Background imageJoseph Constantine Stadler Collection: The Hans-Town Association exercising at their ground in Knightsbridge, London, 1799

The Hans-Town Association exercising at their ground in Knightsbridge, London, 1799

Background imageJoseph Constantine Stadler Collection: Westminster Bridge, Westminster Abbey and Westminster Hall, London, 1789

Westminster Bridge, Westminster Abbey and Westminster Hall, London, 1789. View with boats on the River Thames



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Joseph Constantine Stadler, a talented artist from Stamford Lincolnshire, left an indelible mark on the art world with his exquisite sketches and engravings. In 1822, he presented us with "Sketches from Nature, " a collection that showcased his exceptional talent and attention to detail. One of his notable works was "The Tanfield Arch in 1804, " which captured the architectural beauty of this iconic structure. Stadler's artistic prowess extended beyond landscapes; he also depicted everyday scenes like "Cart and Horse" from the 18th century, showcasing his versatility as an artist. Stadler's fascination with nature is evident in his portrayal of "The Blue Egyptian Water Lily. " This stunning depiction transports viewers to September 11, 1804 when this captivating flower bloomed in all its glory. His skillful engraving work can be seen in pieces like "Lambeth Palace, " where every intricate detail is meticulously etched onto paper. Not limited to scenery or flora, Stadler also delved into historical events such as the grand procession of sacred camels through Cairo's streets or the meeting between Wellington and Blucher at La Belle Alliance. These aquatints brought these significant moments to life for audiences across generations. In addition to capturing history on paper, Stadler explored military uniforms through engravings like those depicting the uniformed soldiers of Kings Dragoon Guards and officers & privates of the 52nd Regiment Of Light Infantry. His attention to detail ensured accuracy while highlighting their distinctive features. Stadler's talent extended beyond landscapes and historical events; he also had a knack for storytelling through art. In "Captain Bowling introduced to Narcissa" on May 12, 1800, he portrayed a captivating scene that evokes curiosity about their encounter. Joseph Constantine Stadler remains an influential figure whose artistic contributions continue to captivate audiences today.