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A New Mode of Presenting Two Addresses at Once, published February 1818
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A New Mode of Presenting Two Addresses at Once, published February 1818
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Media ID 24369071
© Heritage Art/Heritage Images
Address Ansell Anxiety Anxious Argus Bowing C Williams Caricatureprints And Drawings Charles Williams Charlotte Of Mecklenburg Strelitz Charlotte Queen Of Britain Charlotte Queen Of England Direction Elderly Woman English Text Hand Behind Back King Leopold I King Of The Belgians Leopold I Of The Belgians Leopold Of Saxe Coburg And Gotha Mecklenburg Strelitz Charlotte Of Old Woman Opposite Presented Presenting Queen Charlotte Western Script Williams C Williams Charles Etched Hand Coloured Hand Tinted Parody Posture Satirical Young Man Young Men
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A New Mode of Presenting Two Addresses at Once
EDITORS COMMENTS
is a captivating 19th-century print that showcases the wit and artistic skill of Charles Williams. Published in February 1818, this hand-coloured etching on ivory laid paper offers a humorous take on the concept of addressing two parties simultaneously. The scene unfolds within an elegant art gallery, possibly the Art Institute of Chicago or another renowned art centre. A group gathers around an elderly woman who anxiously holds two letters in her hands. With a sense of anxiety and anticipation, she bows towards one direction while her other hand remains discreetly behind her back. Intriguingly, these addresses seem to hold great significance as they draw attention from various individuals present. Among them is King Leopold I, known as the King of Belgium during that time period. His presence adds historical context to the image and reflects Britain's connection with Europe during this era. Williams' expert etching technique brings life to each character, capturing their expressions and body language with precision. The use of vibrant colours further enhances the visual impact, making this artwork truly remarkable. This delightful caricature invites viewers into a world where social norms are playfully challenged and human interactions are cleverly depicted. It serves as both entertainment and commentary on British society in the early 19th century—a testament to Williams' talent as an artist and satirist.
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