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The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII


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The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity, c.1500. Triptych. The Virgin kneels before the infant Jesus. Saint Joseph holds a lit candle. (La Nativite entre sainte Catherine et saint Michel)

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Media ID 36246921

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Altar Altarpiece Bassetaille Brass Copper Enamel Enamel Metal Technique Enamelled Father Fatherhood Goldsmithery Silverware Nativity Parent Triptych Wood Material Worship Worshipper Worshippers Worshipping


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> Arts > Artists > W > Joseph Wood

> Europe > France > Paintings

> Europe > France > Paris > Museums > Petit Palais

> Historic > Renaissance art > Medieval art > Renaissance paintings

> Historic > Renaissance art > Medieval art

> Historic > Renaissance art > Religious themes in renaissance art


EDITORS COMMENTS
This exquisite 15th century triptych, titled "The Nativity" and attributed to the Workshop of the Master of the Triptych of Louis XII, offers a captivating glimpse into the religious beliefs, customs, and ceremonies of the Middle Ages. The central panel depicts the Virgin Mary in deep reverence as she kneels before the infant Jesus, her hands in prayer. Saint Joseph, the carpenter and foster father of Jesus, stands to the left, holding a lit candle, casting a warm glow over the scene. The intricately detailed altarpiece, which dates back to the 15th or early 16th century, is a testament to the masterful craftsmanship of the period. The enamel metal technique, which was popular during the Gothic era, is evident in the rich colors and shimmering gold and brass accents. The use of enamel on copper was a labor-intensive process, requiring great skill and precision. The triptych's decorative arts, including the intricate bas-relief and the delicate enamel work, reflect the importance of religious institutions and their role in shaping cultural heritage. The image of the Holy Family, with its emphasis on fatherhood and motherhood, would have resonated deeply with the beliefs and values of the time. The triptych's location in a museum today allows us to appreciate its artistic and historical significance, as well as to reflect on the enduring power of religious iconography and its role in shaping our collective cultural heritage.

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