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Mytens, (c1590-1648), 1830. Creator: Unknown
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Mytens, (c1590-1648), 1830. Creator: Unknown
Mytens, (c1590-1648), 1830. Daniel Mijtens (c1590-1648), knownas Daniel Mytens the Elder, Dutch portrait painter who spent most of his career working in England. In London his initial patron was Thomas Howard and he was soon commissioned to paint King James I and his son Charles. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co. J. Cumming, London, Glasgow and Dublin, 1830]
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Media ID 19301971
© The Print Collector/Heritage Images
Alfred Alfred Howard Biographical Illustrations Button Buttons Charles Griffin Charles I Of England Charles Stuart Company Richard Griffin And Confidence Confident Court Painter Cumming Cumming J Daniel Daniël Mijtens Daniel Mytens Daniel Mytens The Elder Defender Of The Faith Earl Of Earl Of Arundel Griffin Griffin And Company Griffin Richard Haberdashery Howard Howard Alfred J Cumming James Charles Stuart James I James I King Of England James Vi James Vi And I James Vi Of Scotland King Charles I King James I King James Vi Of Scotland Mytens Portraiture R Griffin And Co Richard Richard Griffin And Richard Griffin And Company Stuart James Charles T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Howard Thomas Tegg Titled
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EDITORS COMMENTS
This print captures a portrait painting of Daniel Mytens the Elder, a renowned Dutch portrait painter who made his mark in England during the 17th century. The creator of this artwork remains unknown, adding an air of mystery to this image. Daniel Mytens was highly regarded for his skillful depiction of prominent figures, as seen in his paintings of King James I and his son Charles. His talent earned him recognition and patronage from influential individuals like Thomas Howard, Earl of Arundel. The photograph is taken from "Biographical Illustrations" by Alfred Howard, published in 1830. This book provides valuable insights into the life and career of Daniel Mytens, shedding light on his contributions to art history. In the portrait itself, we see a confident-looking man dressed in elegant clothing with a distinguished collar and coat. His direct gaze exudes confidence and hints at his status as a court painter. This print serves as both an artistic representation and historical documentation. It allows us to appreciate the mastery of Daniel Mytens while also providing glimpses into the fashion trends and cultural context of that era. As we admire this remarkable piece captured through time by an anonymous photographer, we are reminded once again that great art transcends centuries and continues to captivate audiences today.
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