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Monsieur a sa bête, Madame son animal... 19th century. Creator: Honore Daumier

Monsieur a sa bête, Madame son animal... 19th century. Creator: Honore Daumier


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Monsieur a sa bête, Madame son animal... 19th century. Creator: Honore Daumier

Monsieur a sa bete, Madame son animal... 19th century.
Conjugal morals - Monsieur has his beast, Madame her pet

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Media ID 36317354

© Heritage Art/Heritage Images

Caricatures Cartoons Cats Daumier Honore Daumier Honore Victorin Dining Dining Room Table Dining Table Dinner Table Eating Feeding Feline Felines H Daumier Honore Daumier Honore Victorin Daumier Husband Lithographic Pampering Pet Dog Pets Petting Tables Wife Wives


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> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Humour > Cartoon

> Humour > Cats

> Humour > Dogs

> Humour > Postcard

> Humour > Related Images


EDITORS COMMENTS
Monsieur a sa bête, Madame son animal..." is a poignant and humorous lithograph by the renowned 19th century French artist, Honore Daumier. This artwork, created in the mid-1800s, offers a satirical commentary on the societal norms and conjugal morals of the time. The image depicts a man, Monsieur, seated at a dining table, intently feeding a large, menacing-looking dog. The dog, with its sharp teeth bared, appears to be in a dominant position, almost as if it is the master of the household. The man, on the other hand, seems submissive and resigned to his role as the provider. In contrast, a woman, Madame, is shown in the background, doting on a small, elegant cat. The cat purrs contentedly as she strokes its fur, oblivious to the scene unfolding before her. The juxtaposition of the powerful dog and the delicate cat highlights the traditional gender roles of the time, with men expected to be strong and dominant, while women were expected to be nurturing and submissive. The black and white, monochrome lithograph, with its intricate lettering and meticulous attention to detail, is a testament to Daumier's mastery of the medium. The artwork is a fascinating glimpse into the past, offering a unique perspective on the social and cultural mores of the 19th century. This piece is a must-see for anyone interested in the history of art, particularly those with a focus on satire and social commentary. It is a valuable addition to any art collection or gallery, and a thought-provoking conversation starter for visitors to the National Gallery of Art in Washington, D.C., or any other esteemed art institution.

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