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Mon char, mes javelots...(Phèdre), 1841. Creator: Honore Daumier
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Mon char, mes javelots...(Phèdre), 1841. Creator: Honore Daumier
Mon char, mes javelots...(Phedre), 1841. My chariot, my javelins...From Physionomies tragico-classiques (Physiognomy of the Characters of Classical Tragedy); Periodical: Le Charivari, 15 November 1841
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Media ID 36354262
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Animal Hide Animal Skin Daumier Honore Daumier Honore Victorin Funny H Daumier Honore Daumier Honore Victorin Daumier Jean Baptiste Racine Jean Racine John Racine Le Charivari Leopard Skin Lithographic Phedre Physiognomy Racine Jean Racine Jean Baptiste Racine John Tragedy Tragic
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Mon char, mes javelots...(Phèdre),
EDITORS COMMENTS
a captivating lithograph by the renowned French artist Honore Daumier, was first published in the satirical weekly magazine Le Charivari on November 15, 1841. This masterpiece, a part of the Physionomies tragico-classiques series, brilliantly captures the essence of Jean Racine's tragic play "Phedre." Daumier's illustration humorously portrays the titular character, Phedre, a woman consumed by unrequited love and forbidden desire. In the image, Phedre is depicted as a man, clad in a leopard skin, with javelins in hand and a chariot at her side. This audacious gender-bending representation is a testament to Daumier's satirical wit and his ability to challenge societal norms. The black and white lithograph, with its stark contrasts and intricate details, showcases Daumier's exceptional skill as a printmaker. The use of animal hide and skin adds to the raw, primal energy of the piece, further emphasizing the intense emotions and passions that drive the tragic heroine. Phedre's intense gaze and determined posture convey her unyielding desire, while the javelins symbolize the destructive consequences of her obsession. The chariot, a traditional symbol of power and status, adds an ironic element to the scene, as Phedre, in her masculine guise, assumes control over her own destiny. This work of art, a product of the 19th century, continues to captivate audiences with its bold commentary on gender, power, and the human condition. Today, it is a cherished addition to the collections of the Los Angeles County Museum of Art, a testament to the enduring legacy of Honore Daumier and his groundbreaking contributions to the world of art and satire.
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