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Minerva, Hercules, and Vice [reverse], c. 1571. Creator: Antonio Abondio

Minerva, Hercules, and Vice [reverse], c. 1571. Creator: Antonio Abondio


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Minerva, Hercules, and Vice [reverse], c. 1571. Creator: Antonio Abondio

Minerva, Hercules, and Vice [reverse], c. 1571

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Media ID 21229477

© Heritage Art/Heritage Images

Allegorical Heracles Herakles Hercules Medal Medals Minerva Parting Personification Personifying Relief Carving Shield Spear Vice Allegorical Figure Greek Mythology Roman Mythology


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> Historic > Ancient civilizations > Ancient Greece > Greek mythology

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Minerva, Hercules, and Vice [reverse], c. 1571 - A Powerful Allegory of Virtue and Vice

EDITORS COMMENTS
. This bronze relief carving by Antonio Abondio transports us back to the 16th century, immersing us in a world of mythological symbolism and artistic mastery. In this artwork, we witness three central figures personifying contrasting aspects of human nature. At the forefront stands Minerva, the Roman goddess of wisdom and warfare. Her commanding presence exudes strength and intelligence as she holds her spear high with determination. By her side is Hercules, known for his incredible physical prowess and bravery in battle. Together they represent virtue and valor. However, it is the figure behind them that captivates our attention - Vice. This allegorical representation embodies all that is morally corrupt within humanity. With a sly grin on his face and clutching deceptive weapons behind his back, he symbolizes temptation and wrongdoing. Abondio's meticulous craftsmanship brings these mythical beings to life with intricate details adorning their armor and facial expressions that convey their distinct personalities. As we gaze upon this remarkable piece at the National Gallery of Art in Washington D. C. , we are reminded of the eternal struggle between good and evil within ourselves. It serves as a timeless reminder to choose virtue over vice in our daily lives. This heritage art print invites us to delve into ancient mythology while contemplating our own actions in today's world – an enduring testament to Abondio's skill as an artist who master

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