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Metal ashcans, Frederick Douglass housing project, Anacostia, D. C. 1942. Creator: Gordon Parks
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Metal ashcans, Frederick Douglass housing project, Anacostia, D. C. 1942. Creator: Gordon Parks
Anacostia, D.C. Frederick Douglass housing project. Metal ashcans
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Media ID 25325702
© Heritage Art/Heritage Images
Anacostia Film Transparencies Gmgpc Garbage Gordon Alexander Buchanan Parks Gordon Parks Gordon Roger Alexander Buchanan Parks Housing Housing Development Modern Parks Gordon Parks Gordon Alexander Buchanan Parks Gordon Roger Alexander Buchanan Rubbish Trash Afro American Bins Dustbin Dustbins Film Negative Housing Project Negative Waste Disposal
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EDITORS COMMENTS
This photograph, taken by Gordon Parks in 1942, transports us to the Frederick Douglass housing project in Anacostia, D. C. The image showcases a row of metal ashcans standing tall against the backdrop of this African American community. The composition draws our attention to the resilience and resourcefulness of the people living in this neighborhood during a challenging period in American history. As we observe closely, we see two young girls standing near one of these metal bins, their curious gazes hinting at their innocent exploration of everyday life. Parks' masterful use of photography captures not only the physical surroundings but also evokes a sense of timelessness. The stark contrast between light and shadow adds depth to this still image while emphasizing the importance of documenting such moments for future generations. As we reflect on this photograph from over seven decades ago, it serves as a reminder that even amidst adversity, communities find ways to thrive. It is an ode to the strength and unity found within neighborhoods like Frederick Douglass housing project – places where individuals come together to create homes filled with hope and determination. Gordon Parks' work continues to be cherished as he skillfully captured slices of life that resonate with viewers across time. This particular print stands as a testament to his ability to tell powerful stories through his lens while shedding light on important aspects of American history.
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