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Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne... c
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Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne... c
Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne Before Two Widows (verso), Limoges, c. 1530-c. 1540
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Media ID 24172501
© Heritage Art/Heritage Images
Bassetaille Copper Devotion Devotional Enamel Enamelled L And Xe9 Limoges Medallion Painted Prayer Applied Arts Applied Arts Of Europe Craftsmanship Léonard Limosin
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EDITORS COMMENTS
This print showcases a remarkable medallion, believed to depict Margaret of Lorraine on the front and the Virgin seated on a throne before two widows on the back. Created in Limoges between 1530 and 1540, this exquisite piece exemplifies the exceptional craftsmanship of the European applied arts during the Renaissance era. The delicate blue bassetaille enamel, meticulously painted onto copper, brings forth an aura of devotion and spirituality. The medallion's design is a testament to Leonard Limosin's artistic genius, as he masterfully captures both religious symbolism and historical significance within this small yet impactful artwork. As we gaze upon this artifact from centuries past, we are transported to a time when faith played an integral role in people's lives. The serene expression on Margaret of Lorraine's face reflects her deep devotion to Christianity while simultaneously highlighting her regal stature. On the reverse side, the Virgin Mary sits gracefully amidst two grieving widows, offering solace and hope through prayer. This photograph allows us to appreciate not only its aesthetic beauty but also its cultural value as it represents France's rich heritage art. It serves as a reminder that art has always been intertwined with religion and history – conveying emotions, beliefs, and stories across continents and generations. Displayed at the Art Institute of Chicago gallery, this stunning medallion invites viewers into an immersive experience where they can marvel at its intricate details up close. Leonard Limosin’s masterpiece continues to inspire awe even after all these years
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