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Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
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Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955
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Media ID 14926268
© The Print Collector / Heritage-Images
Antonin Antonin Matejcek Bohemia Bohemian Czech Halo Jaroslav Jaroslav Pesina Master Of The Master Of The Vyssi Brod Altar Matejcek Pesina Print Collector12 Saint Mary Sceptre St Mary Stella Maris The Virgin Mary Virgin And Child Virgin Mother Vyssi Brod Altar Fourteenth Century Infancy Mother Of God
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EDITORS COMMENTS
This print showcases a mesmerizing detail from the "Madonna of Kladsko" a masterpiece created by the talented Master of the Vyssi Brod Altar in the 14th century. The artwork, originally part of a dismantled wing altar-piece, is beautifully captured in this print from Antonin Matejcek and Jaroslav Pesina's book, "Gothic Painting in Bohemia 1350-1450". In this particular detail, we are presented with an intimate portrayal of the Virgin Mary and her divine child, Jesus Christ. The Madonna radiates grace and serenity as she cradles her infant son tenderly in her arms. Adorned with a majestic crown and halo, she embodies both motherhood and divinity. The artist skillfully depicts intricate details such as Mary's flowing robes and delicate facial features. Her gaze is filled with love and devotion towards her beloved child. Meanwhile, baby Jesus holds an orb symbolizing his future role as ruler over all creation. Surrounded by heavenly angels who pay homage to their sacred presence through gestures of adoration, this painting captures a moment frozen in time that speaks volumes about faith, spirituality, and maternal love. Through vibrant colors and meticulous brushstrokes characteristic of Gothic artistry, this print transports us back to medieval times when religious devotion was at its peak. It serves as a reminder of the enduring power that religious iconography holds within our cultural heritage.
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