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Les Bains à vingt centimes, nouveau style, 1842. Creator: Honore Daumier
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Les Bains à vingt centimes, nouveau style, 1842. Creator: Honore Daumier
Les Bains a vingt centimes, nouveau style, 1842. The Baths at twenty cents, new style. Periodical: Le Charivari, 27 September 1842
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Media ID 36353496
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Bathing Baths Cheap Daumier Honore Daumier Honore Victorin Funny Getting Dressed H Daumier Honore Daumier Honore Victorin Daumier Hygiene Hygienic Inexpensive Le Charivari Lithographic Public Baths Shirt Washing
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EDITORS COMMENTS
Les Bains à vingt centimes, nouveau style," a witty and satirical lithograph by the renowned French artist Honore Daumier, published in the weekly magazine Le Charivari on September 27, 1842. This intriguing black and white image captures the humorous side of the daily routine of getting dressed and bathing in the 19th century. The scene depicts a crowded public bathhouse where men of all shapes and sizes are engaged in various stages of undressing and washing. The title "Les Bains à vingt centimes, nouveau style," translates to "The Baths at twenty cents, new style," indicating the affordability and accessibility of these communal bathing facilities. Daumier masterfully uses exaggerated caricatures to poke fun at the absurdities of the bathing process. One man is shown struggling to remove his oversized shirt while another is depicted with a comically large soap bar. The artist also adds a touch of satire by depicting a man wearing a fashionable top hat and cane, seemingly out of place in the rustic bathhouse setting. The print reflects the importance of hygiene and health during this period, as well as the growing trend of public bathhouses as a solution for the urban population's sanitation needs. With its humorous take on everyday life, "Les Bains à vingt centimes, nouveau style" remains a fascinating glimpse into the past and a testament to Daumier's artistic talent. This lithograph is an essential addition to any collection of 19th-century art, particularly those focused on French art, cartoons, and satire. The Los Angeles County Museum of Art (LACMA) is proud to house this masterpiece in its extensive collection, making it accessible to the public for appreciation and study.
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