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La Belle Assemblee, 1787
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La Belle Assemblee, 1787
La Belle Assemblee, 1787. Here love his golden shafts employs; here lights his constant lamp; and waves his purple wings reigns here and revels. (Milton). Parody of Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, showing society ladies at the altar of Love. No longer in the first flush of youth, they are: Lady Archer leading a lamb; Lady Mount-Edgecumbe with a pair of doves; Miss Jeffries with flowers; Lady Buckinghamshire, known for her love of gambling, pouring incense on the altar. Lady Cecilia Johnstone, known as St Cecilia, playing the lyre. On the wall are the Three Graces.Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14916989
© The Print Collector / Heritage-Images
Altar Archer Buckinghamshire Burnt Offering Classical Countess Of Emily Morse Emily Morse Symonds Flame Flames George Paston Gillray Graces Heart Incense James Gillray John Milton Lyre Milton Pagan Paganism Paradise Lost Paston Sacrifice Sarah Symonds Three Graces West Countess Of Buckinghamshire Greek Mythology Poetry
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EDITORS COMMENTS
In this print from "La Belle Assemblee, 1787" we are transported to a scene where love reigns supreme. A parody of Joshua Reynolds' Lady Sarah Bunbury Sacrificing to the Graces, this illustration showcases society ladies gathered at the altar of Love. These women, no longer in their youthful prime, embrace their roles with grace and elegance. Leading the group is Lady Archer, symbolically guiding a lamb towards the altar as an offering. Lady Mount-Edgecumbe holds a pair of doves, representing peace and harmony. Miss Jeffries presents flowers as her tribute to Love's power. Meanwhile, Lady Buckinghamshire pours incense onto the altar; her reputation for gambling adding an intriguing twist to her devotion. Lady Cecilia Johnstone takes on the role of St Cecilia herself by playing the lyre—a musical instrument associated with love and passion—adding another layer of symbolism to this enchanting tableau. On the wall behind them stand The Three Graces, embodying beauty, charm, and joy. Their presence serves as a reminder that love encompasses all aspects of life. This print not only captures fashionable dress and style prevalent in eighteenth-century society but also delves into classical mythology and literature such as John Milton's Paradise Lost. It offers us a glimpse into both religious paganism and satire through its clever caricature elements. With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds), this artwork invites us to explore themes of love through various artistic mediums while celebrating female empowerment within social circles during that era.
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