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Josef Stalin and the geophysicist Otto Y Schmidt, 1930s. Artist: Jakov Kalinichenko
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Josef Stalin and the geophysicist Otto Y Schmidt, 1930s. Artist: Jakov Kalinichenko
Josef Stalin and the geophysicist Otto Y Schmidt, 1930s. An example of Soviet agitprop art. Otto Yulyevich Schmidt was a Russian scientist, mathematician, astronomer, geophysicist, statesman and academician. We was declared a Hero of the USSR in 1937 Found in the collection of the State Regional I Pozhalostin Art Museum, Ryazan, Russia
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Media ID 14887582
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Agitprop Communism Communist Georgia Georgian Greatcoat Greeting Handshake Iosif Vissarionovich Dzugashvili Josef Stalin Joseph Stalin Leader Meeting Otto Overcoat Propaganda Schmidt Scientist Shaking Hands Soviet Soviet Union Stalin Stalinist Union Of Soviet Socialist Republics Ussr Headgear
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Josef Stalin and the geophysicist Otto Y Schmidt, 1930s - A Glimpse into Soviet Agitprop Art
EDITORS COMMENTS
. This print by artist Jakov Kalinichenko offers a fascinating glimpse into the political and scientific landscape of the 1930s Soviet Union. The image portrays an unlikely meeting between Josef Stalin, the powerful leader of the USSR, and Otto Y Schmidt, a renowned geophysicist. The painting is a prime example of agitprop art, which was widely used during that era to promote communist ideology and glorify political figures. Here we see Stalin dressed in his signature overcoat and cap, exuding authority as he engages in conversation with Schmidt. Otto Yulyevich Schmidt himself was not only a scientist but also a mathematician, astronomer, statesman, and academician. His contributions to various fields earned him the prestigious title of Hero of the USSR in 1937. This meeting between two influential figures from different realms showcases their shared commitment to advancing science within the framework of communism. Kalinichenko's skillful use of color brings vibrancy to this historical moment while capturing both men's distinct personalities. The handshake symbolizes unity and collaboration between politics and academia for national progress. Preserved in Ryazan's State Regional I Pozhalostin Art Museum collection today, this portrait serves as a testament to an era defined by propaganda-driven imagery that aimed to shape public perception through artistry. It stands as an enduring reminder of how art can be harnessed for political purposes while immortalizing significant individuals who shaped history.
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