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The Healing the paralytic at Capernaum, ca 1350. Artist: Anonymous

The Healing the paralytic at Capernaum, ca 1350. Artist: Anonymous


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The Healing the paralytic at Capernaum, ca 1350. Artist: Anonymous

The Healing the paralytic at Capernaum, ca 1350. Found in the collection of the Visoki Decani monastery, Kosovo

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Media ID 15015930

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Byzantine Art Capernaum Fresco Healing Wonders Jesus Of Nazareth Kosovo Miracles Of Jesus Orthodox Church Serbia Visoki Decani Monastery Wonderworker Symbolism


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EDITORS COMMENTS
This print showcases "The Healing the paralytic at Capernaum" a remarkable fresco painted around 1350 by an anonymous artist. Housed in the esteemed Visoki Decani monastery in Kosovo, this masterpiece holds immense significance within Christianity and Byzantine art. At its core, this painting depicts a transformative moment from the New Testament, where Jesus Christ exhibits his divine power as a healer. The scene unfolds in Capernaum, with Jesus standing before a paralyzed man lying on a mat. Through profound symbolism and meticulous brushwork, the artist captures both the physical and spiritual dimensions of this miraculous event. The composition exudes an aura of tranquility and hope as Jesus extends his hand towards the paralytic. The vibrant colors used throughout add depth to their interaction while emphasizing their contrasting roles – one representing human frailty and suffering, the other embodying divine compassion and salvation. As we delve into this fine artwork's details, it becomes evident that every element serves a purpose: from intricate patterns adorning architectural structures to subtle gestures conveying emotion. This fresco not only celebrates Jesus' wonderworking abilities but also invites viewers to reflect upon themes of faith, healing wonders, and miracles present in biblical narratives. Through centuries of preservation at Visoki Decani monastery, this painting continues to inspire awe among visitors who witness its enduring beauty firsthand. Its historical importance cannot be overstated; it stands as both testament to artistic mastery during medieval times and an emblematic representation of Christian devotion found within Serbian

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