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A Girl with a Comb, 1932-1933. Artist: Kazimir Malevich

A Girl with a Comb, 1932-1933. Artist: Kazimir Malevich


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A Girl with a Comb, 1932-1933. Artist: Kazimir Malevich

A Girl with a Comb, 1932-1933. Found in the collection of the State Tretyakov Gallery, Moscow

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Media ID 14883507

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Abstract Avant Garde Colourful Geometric Abstract Kasimir Malevich Kazimir Kazimir Malevich Kazimir Malevitch Kazimir Severinovich Kazimir Severinovich Malevich Malevich Malevitch Kazimir Soviet Soviet Union Suprematism Suprematist Union Of Soviet Socialist Republics Ussr Artistic Movement


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> Arts > Abstract art > Abstract paintings

> Arts > Abstract art > Colorful abstract artwork

> Arts > Abstract art > Geometric abstraction

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> Arts > Artists > M > Kazimir Malevich

> Arts > Artists > M > Kazimir Severinovich Malevich

> Arts > Contemporary art > Portraits > Abstract art

> Arts > Cubist sculptures > Avant-garde artwork > Abstract art

> Arts > Cubist sculptures > Geometric shapes > Abstract art

> Arts > Fine Art


EDITORS COMMENTS
Caption: "A Girl with a Comb, 1932-1933" by Kazimir Malevich – A Captivating Portrait of Soviet Avant-Garde This vibrant and captivating portrait, titled "A Girl with a Comb" was created by the renowned Russian artist Kazimir Malevich between 1932 and 1933. Housed in the esteemed State Tretyakov Gallery in Moscow, this masterpiece is an exemplary representation of Malevich's avant-garde artistic movement known as Suprematism. Malevich, one of the most influential artists of the early 20th century, revolutionized art through his geometric abstract style. In this painting, he skillfully combines bold colors and sharp lines to depict a young girl adorned in colorful clothing and an eye-catching hat. The composition showcases Malevich's mastery in capturing both the physicality and essence of his subject. The artist's use of abstract forms allows viewers to interpret their own meaning from the artwork. The girl's face is obscured by her comb-wielding hand, leaving us to wonder about her thoughts or emotions hidden behind that enigmatic gesture. Through this piece, Malevich invites us into a world where traditional portraiture meets abstractionism. As we admire this remarkable work from Russia's rich artistic history, we are reminded not only of its aesthetic beauty but also its historical significance within the context of early Soviet Union society. Female figures played an integral role during that time period as symbols for progress and change.

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