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The Font in which Edward the Confessor was baptised, at Islip, 1854. Creator: Unknown
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The Font in which Edward the Confessor was baptised, at Islip, 1854. Creator: Unknown
The Font in which Edward the Confessor was baptised, at Islip, 1854. The interior is circular, whereas the external shape is octagonal, with specimens of sculpture on each side in style differing one from the other...this piece of sculptured stone [was] the receptacle of the holy fluid used at the baptism of the Confessor 850 years ago'. The font was removed from the Royal Chapel at Islip...about five miles from Oxford... and changed hands multiple times. Hearne has recorded "that an old lady kept meat to cram her turkeys in this font, but that the turkeys all died"'. From "Illustrated London News", 1854
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Media ID 36233633
© The Print Collector/Heritage Images
11th Century Baptism Baptismal Edward The Confessor Eleventh Century Font Saint Edward The Confessor St Edward The Confessor
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EDITORS COMMENTS
This photograph print depicts The Font in which Edward the Confessor was baptised, located at Islip, England, in the year 1854. The font, of unknown creation, showcases a unique blend of architectural styles. Its interior is circular, while its external shape is octagonal, with intricate sculptures adorning each side. These sculptures exhibit distinct styles, adding to the font's historical significance and artistic value. The font was once a revered relic, having been removed from the Royal Chapel at Islip, approximately five miles from Oxford. Its storied past is marked by numerous changes in ownership. One such account, recorded by Hearne, recounts an old lady's use of the font as a food storage container for her turkeys. Regrettably, the turkeys met an untimely end in this hallowed vessel. The font, believed to date back to the 11th century, holds immense historical importance as the site where Edward the Confessor, the revered King of England, was baptised. This connection to the early Christian history of Britain adds a profound layer of significance to this ancient artifact. The photograph, published in the Illustrated London News in 1854, offers a glimpse into the past, allowing us to appreciate the intricacies of this historic font and the rich tapestry of British history it represents.
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