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Ecce Homo, c.1530-c.1550. Creator: Jheronimus Bosch (copy after)
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Ecce Homo, c.1530-c.1550. Creator: Jheronimus Bosch (copy after)
Ecce Homo, c.1530-c.1550.
The subject of this painting is the moment when Pilate, in the presence of the high priests, shows Christ crowned with thorns to the Jewish people. The picture also shows a round window with Barabbas in the dungeon
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Media ID 36333753
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Ambrosius Bosch Bars Behold The Man Behold The Man Ecco Homo Biblical Character Biblical Scene Bosch Hieronymus Bosch Jheronimus Christ Antiphonetes Christ Jesus Crowds Crown Of Thorns Devotion Devotional Dungeon Ecce Homo El Bosco Hieronymus Bosch Hieronymus Bosch Van Aeken High Priest Jerome Bosch Jeronimus Bosch Jheronimus Bosch Life Of Christ Passion Of Christ Penitentiary Pilate Pilate Pontius Pontius Pilate Priest Prison Stations Of The Cross Via Crucis
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Ecce Homo,
EDITORS COMMENTS
or "Behold the Man," is a powerful and evocative depiction of a pivotal moment in the New Testament. This painting, believed to be a copy after the masterwork of Jheronimus Bosch, c.1530-c.1550, portrays the scene where Pilate presents Jesus Christ to the Jewish crowd, after having been scourged and crowned with thorns. The somber expression on Christ's face, the anguish and anticipation in the eyes of the onlookers, and the ominous presence of Barabbas in the dungeon below, all contribute to the emotional intensity of the image. The painting, which is an oil on panel, is a testament to the rich artistic and cultural heritage of the Low Countries during the Renaissance period. Bosch, also known as El Bosco or Hieronymus Bosch, was a renowned Dutch painter, whose works were deeply influenced by Christian themes and biblical narratives. This particular painting, with its intricate details and vivid colors, would have been a popular devotional piece for the pious, offering a visual representation of the Passion of Christ and the ultimate sacrifice for humanity's salvation. The painting's title, "Ecce Homo," is derived from the Latin phrase used by Pilate when he presented Jesus to the crowd, inviting them to behold the man who stood before them, the Son of God. The painting's composition, with its central figure of Christ and the surrounding crowd, invites the viewer to contemplate the profound significance of this moment in history and the deeper spiritual meanings that lie within. This painting, with its intricate details and rich history, is a must-see for anyone interested in the art and cultural heritage of the Netherlands and Europe during the Renaissance period. It is a reminder of the enduring power of art to inspire, provoke thought, and connect us to our shared human experience. Whether viewed in a museum or art gallery, this painting continues to captivate and move audiences, offering a glimpse into the past and a window into the human soul.
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