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The Drunkard, 1837. Creator: Hippolyte Bellangé

The Drunkard, 1837. Creator: Hippolyte Bellangé


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The Drunkard, 1837. Creator: Hippolyte Bellangé

The Drunkard, 1837. (L'Ivrogne)

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Media ID 36272947

© Heritage Art/Heritage Images

Alcoholic Alcoholism Bellange Hippolyte Bellange Joseph Louis Hippolyte Bonnet Canvas Material Drunk Drunkard Drunken Drunkenness Hats Hippolyte Bellangé Husband Joseph Louis Hippolyte Bellange Pointing Public House Tavern Wife Wives


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> Arts > Artists > B > Joseph-Louis-Hippolyte Bellange

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Oil paintings

> Europe > France > Military

> Europe > France > Paintings

> Europe > France > Paris > Fashion

> Europe > France > Paris > Museums > Petit Palais


EDITORS COMMENTS
The Drunkard," painted by Hippolyte Bellangé in 1837, captures a poignant moment in the life of a rural man succumbing to the destructive grip of alcoholism. Set in a quaint, rustic building, the scene unfolds in the French countryside, where a man, dressed in the traditional clothing of the time, sits slumped on a chair, his hat askew and his face contorted in a state of drunkenness. His wife, dressed in a simple, colorful dress, stands before him, her arms outstretched and her expression one of concern and frustration. Two children peek in from the doorway, their curious gazes reflecting the disbelief and sadness of the situation. In the background, soldiers, possibly returning from war, can be seen entering a nearby tavern, adding to the sense of despair and hopelessness. The man's hat, a common accessory for men of the time, lies on the floor, a symbol of his fallen state. The use of oil paint on canvas material adds depth and texture to the image, making the viewer feel as if they are witnessing the scene unfold in real life. This painting, now housed in the Petit Palais in Paris, is a poignant reminder of the impact of alcoholism on individuals and their families. The image of the drunkard, gesturing helplessly, is a powerful representation of the consequences of addiction and the toll it takes on relationships and personal dignity. The painting also serves as a window into the past, offering a glimpse into rural life in France during the 19th century.

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