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Diana and Endymion, 16th century. Creator: Marco del Moro (c. 1536-1586)

Diana and Endymion, 16th century. Creator: Marco del Moro (c. 1536-1586)


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Diana and Endymion, 16th century. Creator: Marco del Moro (c. 1536-1586)

Diana and Endymion, 16th century. Found in the collection of the Musee du Louvre, Paris

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Media ID 36233103

© Fine Art Images/Heritage Images

Artemis Beauty Brush Diana Endymion Erotic Godess Godess Of Hunting Italian Painting Mannerism Musee Du Louvre Mythology Allegory And Literature School Of Verona


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> Animals > Mammals > Cricetidae > Brush Mouse

> Animals > Mammals > Muridae > Blue-grey Mouse

> Animals > Reptiles > Snakes > King Brown

> Arts > Art Movements > Mannerism

> Arts > Artists > I > Italian School Italian School

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Sights > Louvre

> Europe > Greece > Paintings

> Europe > Italy > Veneto > Verona

> Europe > Italy > Verona


EDITORS COMMENTS
This exquisite 16th century print, titled "Diana and Endymion," is a masterpiece by the Italian artist Marco del Moro (c. 1536-1586). Discovered in the esteemed collection of the Musee du Louvre in Paris, this work of art is a stunning example of Mannerist Italian painting. The image depicts the ancient Greek myth of Diana, the goddess of hunting, and Endymion, the king of Elis. According to legend, Diana fell in love with the mortal Endymion and granted him the gift of eternal youth and beauty, allowing him to sleep forever. Del Moro's interpretation of this myth is a captivating allegory of beauty and the passage of time. The goddess Diana, clad in a flowing gown adorned with intricate patterns, gazes lovingly at the sleeping Endymion. Her expression is one of tender affection, her brow furrowed in concern for his eternal slumber. Endymion, lying on a bed of flowers, is depicted in a state of serene repose, his face radiant with youth and vitality. The print is executed in brown and white color on grey blue paper, with the artist's deft use of brush and pen creating a sense of depth and texture. The contrast between the bold, dark lines and the delicate, light shading adds to the overall effect of the image, which is both erotic and romantic. This work of art is a testament to the enduring power of mythology and the human fascination with the themes of love, beauty, and the passage of time. It is a fine example of the artistic prowess of Marco del Moro and the School of Verona, and a precious addition to the collection of the Musee du Louvre in Paris.

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