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Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg

Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg


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Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg

Der Zechpreller, mid-late 19th century, (c1924). The bill-dodger. A man attempts to leave as a woman grabs his coat. From " Die gute alte Zeit: Zeichnungen von Karl Spitzweg", (The Good Old Days: drawings by Karl Spitzweg). [Benjamin Harz, Berlin-Vienna, c1924]

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Media ID 18325148

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Avoiding Benjamin Benjamin Harz Carl Carl Spitzweg Harz Hotel Karl Karl Spitzweg Karl Spitzweg Von Karl Spitzweg Von Striedel Public House Running Away Spitzweg Striedel Tavern Von Striedel Dodging


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> Arts > Artists > S > Carl Spitzweg

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Germany > Berlin


Der Zechpreller

EDITORS COMMENTS
is a captivating print that captures the essence of the mid-late 19th century. Created by renowned artist Carl Spitzweg, this intriguing artwork showcases a moment frozen in time. The scene unfolds in a bustling pub, where an audacious man attempts to escape unnoticed while a determined woman grabs hold of his coat. The image is part of "Die gute alte Zeit: Zeichnungen von Karl Spitzweg" or "The Good Old Days: drawings by Karl Spitzweg". This collection curated by Benjamin Harz in Berlin-Vienna around 1924 transports us back to an era filled with charm and mischief. Spitzweg's meticulous pencil sketch beautifully conveys the tension between the genders as well as societal norms prevalent during that period. With great attention to detail, he portrays not only the characters but also their surroundings - from the rustic tavern setting to the elegant Victorian attire worn by both men and women. This artwork invites viewers to ponder themes such as deception, evasion, and human interaction within public spaces. It serves as a reminder that even in simpler times, people were not immune to acts of trickery or attempting to avoid responsibilities. As we gaze upon this monochrome masterpiece, we are transported into an era long gone but still resonating with its timeless portrayal of human nature.

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