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Corne, 1849. Creator: Honore Daumier

Corne, 1849. Creator: Honore Daumier


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Corne, 1849. Creator: Honore Daumier

Corne, 1849. French politician. Vue prise au moment ou cet orateur, qui n'a pas une tres grande habitude de la tribune, s'apprete a chercher un argument au fond d'un verre d'eau sucree. (View taken at the moment when this speaker, who is not very familiar with the platform, is about to look for an argument at the bottom of a glass of sugar water). From Les Representans Representes (Representatives Represented)

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Media ID 36370627

© Heritage Art/Heritage Images

Daumier Honore Daumier Honore Victorin Drinking Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Speech


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
This black and white image, titled "Corne, 1849" by Honore Daumier, offers a glimpse into the world of French politics during the 19th century. The subject of the lithograph is a politician, identified as Corne, who is depicted in a moment of contemplation while preparing to deliver a speech. However, instead of focusing on his notes or the crowd before him, Corne is seen leaning over a glass of sugar water, searching for an argument. Daumier, a renowned French caricaturist and satirist, masterfully captures the essence of this politician's predicament with his keen observation and wit. The use of contrasting light and shadow, as well as the intricate details in the rendering of Corne's facial expression and body language, add depth and nuance to the image. The title "Representants Representes" (Representatives Represented) further emphasizes the satirical nature of the work, as it suggests a commentary on the disconnect between the political representatives and the people they are supposed to represent. This thought-provoking and humorous piece is a testament to Daumier's artistic genius and his ability to capture the human condition with unparalleled insight. This lithograph, now housed in the Los Angeles County Museum of Art, is a valuable addition to the heritage of art and a reminder of the rich history of political satire. It invites us to reflect on the enduring themes of politics, power, and the human experience.

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