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Collision of the Moorish Horsemen, 1843-1844. Creator: Eugene Delacroix

Collision of the Moorish Horsemen, 1843-1844. Creator: Eugene Delacroix


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Collision of the Moorish Horsemen, 1843-1844. Creator: Eugene Delacroix

Collision of the Moorish Horsemen, 1843-1844. Delacroix uses fluid brush work to capture the colour and movement of an Arab Fantasia, or ceremonial cavalry charge, mimicking battle, which he witnessed at the court of Sultan Abd-er-Rahmen of Morocco (1778-1859) while accompanying Count Charles de Mornay on a diplomatic expedition on behalf of King Louis Philippe of France in 1832. He focuses on two riders who have broken from the ranks, their horses startled by the simultaneous firing of guns that ends the maneuver

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Media ID 36371931

© Heritage Art/Heritage Images

Arab Cavalry Cavalryman Cavalrymen Ceremonial Ceremony Charging Colliding Collision Cultural Event Delacroix Eugene Delacroix Ferdinand Victor Eugene Eugene Delacroix Ferdinand Victor Eugène Delacroix Horseman Horsemanship Horsemen Lance Maghreb Maghrebi On Horseback Riders Romantic Era Traditional Culture Walters Art Museum


FEATURES IN THESE COLLECTIONS

> Africa > Morocco > Related Images

> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Art Movements > Romanticism

> Arts > Artists > C > King Charles

> Arts > Artists > D > Eugene Delacroix

> Arts > Artists > D > Ferdinand Victor Eugene Delacroix

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Europe > France > Military

> Europe > France > Royalty


Collision of the Moorish Horsemen,

EDITORS COMMENTS
painted by the renowned French artist Eugène Delacroix between 1843 and 1844, captures the vibrant energy and dynamic motion of a Maghrebi Arab Fantasia, or ceremonial cavalry charge. Delacroix witnessed this cultural event during a diplomatic expedition to Morocco in 1832, accompanying Count Charles de Mornay on behalf of King Louis Philippe of France. In this stunning oil on canvas work, Delacroix masterfully employs fluid brushwork to convey the rich colors and movement of the horses and riders. The focus is on two riders who have broken from the ranks, their horses startled by the simultaneous firing of guns that mark the end of the maneuver. The riders, dressed in traditional Maghrebi attire, are depicted with great detail, their faces expressing intense concentration and determination. The background is filled with the chaos of colliding horses and riders, their lances clashing in the air, and plumes of smoke rising from the guns. The scene is a testament to the skill and horsemanship of the cavalrymen, as well as the cultural traditions of the Maghreb region. This artwork is a prime example of Delacroix's romantic style, which was popular during the 19th century. It is a window into the past, offering a glimpse into the ceremonial cavalry charges that were once a prominent part of European and Middle Eastern cultural heritage. Today, "Collision of the Moorish Horsemen" is a cherished piece in the collection of the Walters Art Museum and continues to inspire and captivate audiences with its vibrant colors, dynamic motion, and historical significance.

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