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Citoyennes on fait courir le bruit que le divorce est sur le point de nous être refusé... 1848. Creator: Honore Daumier
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Citoyennes on fait courir le bruit que le divorce est sur le point de nous être refusé... 1848. Creator: Honore Daumier
Citoyennes on fait courir le bruit que le divorce est sur le point de nous etre refuse... 1848. - Citoyennes...on fait courir le bruit que le divorce est sur le point de nous etre refuse... constituons-nous ici en permanence et declarons que la patrie est en danger!'. Woman: [Female] Citizens...there is a rumour that divorce is about to be denied us...let us establish ourselves here permanently and declare that the homeland is in danger!'. Misogynistic depiction of women demanding their right to divorce. From Les Divorceuses, plate 1
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Honore Daumier's lithograph "Citoyennes on fait courir le bruit que le divorce est sur le point de nous etre refuse... 1848" (Women: "We are here permanently, and we declare that the homeland is in danger! Women: "Citizens...there is a rumor that divorce is about to be denied us...") is a powerful and thought-provoking depiction of women's struggle for their rights during the 19th century in France. The image, part of Daumier's series "Les Divorceuses," shows a group of women gathered in a courtroom, gesturing and speaking out in unison. The women's determined expressions and raised hands convey a sense of urgency and defiance. The caption above the image translates to "Women: 'We are here permanently, and we declare that the homeland is in danger! Women: 'Citizens...there is a rumor that divorce is about to be denied us...'". This suggests that the women are not only fighting for their right to divorce but also for the future of their country. The use of the word "patrie," which translates to "homeland," adds a patriotic dimension to their cause. However, some critics argue that the image is misogynistic, as it portrays women as hysterical and disruptive. Others see it as a satirical commentary on the social and political climate of the time, where women's voices were often silenced and their rights overlooked. Regardless of interpretation, Daumier's lithograph is a significant work of art that continues to resonate with audiences today, highlighting the importance of women's rights and the power of collective action. The black and white image, with its intricate lines and detailed textures, is a testament to Daumier's mastery of the lithographic technique. It is a valuable addition to the collection of the Los Angeles County Museum of Art and a testament to the enduring legacy of Honore Daumier as a pioneering figure in the world of art and social commentary.
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