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The Charmers, 1796, (1911). Artists: Unknown, Matthew William Peters, C Knight

The Charmers, 1796, (1911). Artists: Unknown, Matthew William Peters, C Knight


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The Charmers, 1796, (1911). Artists: Unknown, Matthew William Peters, C Knight

The Charmers, 1796, (1911). Group of children singing to a lady in lace finery by Matthew William Peters (1742 -1814), an English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. Engraved by C. Knight. From The Connoisseur Vol XXX. [Otto Limited, London, 1911]

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Media ID 14978567

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C Knight Charming Choir Boy Choirboy Choirboys Finery Knight Limited Matthew William Matthew William Peters Otto Otto Limited Peters Rev Matthew William Peters Rev Mw Peters Rev Wm Peters Reverend Matthew William Peters Sunday Best The Connoisseur Triangle Vilmian Peters Vocalist William Peters Wm Peters Charmer


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The Charmers, 1796

EDITORS COMMENTS
is a captivating print that captures a delightful moment in time. In this enchanting scene, a group of children can be seen gathered outdoors, their voices harmonizing as they sing to a lady adorned in exquisite lace finery. The painting was created by Matthew William Peters, an accomplished English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. The image exudes the innocence and joy of childhood as these young singers pour their hearts out in song. Their Sunday best attire adds an air of reverence to the occasion, emphasizing the religious undertones present in the artwork. A triangle musical instrument held by one of the boys symbolizes both their musical talent and dedication to their craft. Engraved by C. Knight for publication in The Connoisseur Vol XXX in 1911, this print showcases Peters' masterful brushwork and attention to detail. It transports us back to the 18th century when charming scenes like these were cherished moments frozen in time. As we gaze upon "The Charmers" we are reminded of the power music holds over our emotions and its ability to bring people together across centuries. This timeless piece serves as a testament not only to Peters' artistic prowess but also to the enduring beauty found within religious artistry throughout history.

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